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Making Your Connection ...with Art


I watched the Emmys Sunday night. From start to finish. No fast forwarding. Stephen Colbert is reason enough to extract this level of commitment from me but I also experienced a revelation where I least expected it. From Donald Trump. Okay not THE Donald Trump but rather from Alec Baldwin, who won an Emmy for his SNL portrayal of the current president.

I’ll have to paraphrase slightly, but Baldwin’s acceptance speech resonated with me. He said when we are at the end of our life, we won’t remember a bill that was passed or a supreme court decision or an address made by the president. We remember a book, or a line from a favourite play, a painting, a scene from a movie or a song. Unlike Proust and his madeleine cookies, for me it is music, books, and pictures that provoke strong memories and deep emotion, so I agree with Mr. Trump...I mean Alec.

When I walked around our sale room today, I was reminded of this: How the art we choose to surround ourselves with enriches our lives throughout our lifetime. There are pictures hanging now that I will really miss when they leave Waddington’s for their new homes but I won’t soon forget them. I’ve made a connection. Art helps us connect with each other, too. With people from our own time and those that have gone before.

We want to encourage you to come down and make that connection, too, so we’ve extended our viewing hours for the Select Auction and will stay open for you to visit Tuesday, September 19 and Wednesday, September 20 until 7 p.m.

 

 

 

Posted: 9/19/2017 12:00:00 AM
By: Linda Rodeck


Canadian Art Select Online Auction Preview Begins this Weekend


The preview for this season's Select Online Auction of Canadian Art is now installed.

Please join us this Sunday, September 17 from noon to 4 pm; Monday, September 18 until 7 pm, or weekdays before the auction closes on September 21 to view the marvellous collection of painting, prints, sculpture and books that we have sourced for you.

There are exceptional works by Jack Beder, Leon Bellefleur, Bruno Bobak, LL Fitzgerald, John Fox, Clarence Gagnon, Gerald Gladstone, Dorothy Knowles, Henri Masson, Manly MacDonald, Harold Town, Jack Reppen, Jack Shadbolt and many others.

If you can't attend the live preview, please view our catalogue online and feel free to contact us if you have any questions about what you have seen. We're here to make a match between you and whatever you think might add a little lustre to your collection, so please let us know how we can make that easiest for you. In the meantime, enjoy!

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Posted: 9/15/2017 12:00:00 PM
By: Linda Rodeck


Don't Miss the Opportunity to Consign


Waddington’s invites you to consign to our Fall 2017 auctions of Important Inuit Art.

Here are a few of the reasons you should consider consigning to Waddington's:

1. Our service excellence combined with four decades of experience in selling Inuit Art at auction culminates in superior results for our valued clients.

2. Marketing is a key element of our success. Our strategic marketing channels include direct mail, digital marketing, social media and personal contact to reach our own extensive network of clients - and to reach new audiences.

3. When it comes time to preview the auction, our downtown Toronto location provides the perfect gallery space for your artwork to be presented in museum-quality exhibitions prior to the auction.

Please note that we are interested in major collections as well as individual works for our upcoming auctions.

If you would like to find out more about the many benefits of working with Waddington’s, please contact us.

Christa Ouimet co@waddingtons.ca 416.847.6184

 

Highlights from our Upcoming Auctions

 

Josephie Pootoogook, Woman Scraping Skin, 1958 Estimate: $3,000-5,000
Johnny Inukpuk, Woman Cradling Infant, 36" Estimate: $30,000-40,000
Josephie Pootoogook, Joyfully I See Ten Caribou, 1959 Estimate: $6,000-8,000
Osuitok Ipeelee, Hawk, 16.5" Estimate: $22,000-26,000 

 

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Posted: 9/15/2017 12:00:00 AM
By: Christa Ouimet


One of Mark's Auction Tips: Visit the Preview!


With Asian Decorative Furniture, Scrolls and Sculpture, and Decorative Arts online auctions closing today, Mark will check the bidding on his favourite items to see if he is still interested. He might even look at other items if the current bids exceed his wisely set, self-imposed limits.

Following his own advice, Mark came to the preview on Monday to see everything himself. Interestingly, one of the items he loved in his original online browsing was not as compelling in person. So he's dropping back in today for a sneak peek at the Canadian Select online auction to look for something else. *While the preview officially opens this Sunday, September 17, our specialists are always happy to book personal appointments.

I think we've lost track of where he is with his original budget of $5000 - but that doesn't really matter as it's been a blast following his selection process.

Mark's Choices So Far:

From the Sept 12 Quarterly Jewellery Auction:

Lot 222 - 14 K white gold & blue topaz ring, est $250-350

I don't own much jewellery except for rings which I usually wear only on my left, pointing finger. I love white gold (or sterling silver) over yellow gold and the beautifully-cut blue topaz and diamonds add just the right amount of "bling" without being obnoxious. And since it's already a size 10-1/2, I wouldn't even have to re-size the ring!

*The ring sold in Tuesday's auction for $288. If Mark was actually bidding - it might have been his!

From the Decorative Arts Online Auction:

MJG - There are several items which have perked my interest in this auction. They include several house-ware-y and accessory items and one which is a nice bit of Canadiana.

Lot 185 - "Nemours" Lalique bowl, est $200-300

IF I'm going to own a fine example of cut glass, I may as well buy Lalique, non? Although I'd also hold-out for just the right example of Tiffany. This bowl is a nice size and if I can find a glass-insert to place inside, I would totally put this on an entry-way table for my keys and wallet. The flowers add a slight feminine fmotif while the black enamel dots are a nice graphic detail.

Lot 195 - Enrico Cammozzo Murano Glass Large Vase, est $250-350

This nicely-sized vase might be from the 1980's but it would be a perfect accessory to put on top of a small pile of art books, atop my credenza and be as good an excuse as any to buy cut flowers.

Lot 285 - Wedgwood Gilt Black Basalt Pastille Burner c.1900, est $75-150

This curious burner would be a great counter to the Murano glass vase. The black and gold in both for sure compliment each other perfectly while the antique motifs would also soften the strong, dominant forms of my credenza. Plus, I could put my topaz ring inside, when I'm not wearing it.

Lot 304 - Ormolu Mounted ‘Sèvres’ White Biscuit Group of Two Maidens late 19th century, est $75-150

This lamp would be a beautiful statement piece. I'd get this professionally re-wired (and re-restored for the oopsies) and attach a large Edison-style lamp bulb and no shade to give an updated, pseudo-contemporary look. For around the same price of a lamp found in big-box decor store, I'd have a gorgeous antique which reflects the romantic designs of the small Wedgwood burner while interplaying nicely with the strong lines and forms of the credenza.

Lot 444 - Contemporary Cherry Free Edge Log Stool, est $100-120

This little bit of Canadiana would look great beside my black leather side chair. Plus I'd have something to put my drinks on as well as my TV clicker, which I have a tendency to misplace. The natural, organic form would bring a bit of Mother Nature into my otherwise contemporary-ish home decor.

From the Asian Art Online Auction:

Lot 83 - Birds and Gourds Signed Bo Yan ??, est $100-200

This large painting, colour-wise, would work harmoniously with my credenza & leather side chair, the Murano vase and Wedgwood burner. I love birds. And gourds are representative of happiness and good luck in the Chinese culture.

Lot 126- A Small Hardstone Inkwell, est $300-400

This little fella is a curious choice. I simply like the quirkiness of the opposing, carved heads. And the thought this may have been used for generations gives it a nice history. And hey, this could be another holder for my white gold and blue topaz ring!

...And He's Still Shopping!

Being a good son, Mark is looking through the Fine Wine & Fine Spirits auctions to find something for his dad, whose birthday was September 10. Mom and dad's anniversary also requires another review. (The Wine & Spirits auctions close September 19.)

Mark is also coming by to see the items in the September 16-21 Canadian Art Select online auction, and take another look at some of the lots in the Prints and Photography auction, which closes September 21.

 

 

Posted: 9/14/2017 12:00:00 AM
By: Tess McLean


The $5000 Auction Challenge


The Auction Challenge

We asked our good friend Mark Gleberzon to participate in a unique challenge. We asked him: "If you had $5000 to spend at auction - what would you choose?" With Mark's background as an artist and his own personal style and sense of design, it seemed like a challenge custom-designed for him.

Here was our original conversation with Mark:

W – What do you think will be the most difficult part of this challenge?

MJG – I am actually in the midst of looking for a new place to live. I sold and donated and actually even consigned some items to Waddington’s (!) looking for a fresh, new start. Even decor-wise. So, this challenge will be fun. And hey, I might end up bidding on one or two things to keep, for reals. The challenge will be to rein in the crazy! It's always easy to find items to "want". It's more difficult to commit to something I might actually "need". Unlike a retail store, I can't return my purchase from an auction house. My selections - even fictional - need to be thoughtful and practical.

W – How about you select a work of your own collection as a starting point, to build around. Perhaps a favourite piece of furniture or one of your own works of art?

MJG – The few furniture items I kept include a mid-century modern credenza and a cozy black-leather chair. And yes, we could certainly include one of my photos or paintings to use for further decor inspiration to draw colours and other considerations from.

W – Do you have a strategy when you’re bidding in an online auction?

MJG – budget and commitment are my two most important strategies when it comes to purchasing from an auction. It's always easy to see something and fall in like with an object. But reality must be considered. What am I really able to afford and will the object be what I need and will use and ultimately enjoy having in my home?

W – Do you have any words of advice for those new to the auction world?

MJG – I have several words of advice, starting with:

Do your research. Every auction maintains records of what has sold in previous sales. It's a fantastic resource to see market trends, realized prices and the kinds of items you’ll find in a sale.

Go to the viewing previews. If you're a stickler for perfection, look at the object you covet in person. Hold it. Feel it. See if there's a connection between you and it. Don't only go by photos. If concerned, ask if there's been any restoration. And hey, sometimes you can learn if the prior owner was a noted collector or someone famous.

When there's the opportunity to, attend a live auction, go. Perhaps first watch how people bid and even the kinds of people who are bidding. You will see seasoned buyers and collectors who love the small victory of their winning bids as well as seasoned bidders who may be dealers or designers, looking to re-sell or buying that special something for their client's home. Auctions can be somewhat slow but if you have the right auctioneer and bidding gets fierce, they can be rather entertaining.

When it comes to online bidding, watch how bids are placed and the increments at which prices go up. And if you take that leap of faith and bid yourself, be mindful of your budget!! That can't be stressed enough. Keep in mind you're not only paying the price of the winning bid but also the auction house premium (a pre-assigned percentage, usually) as well as those dreaded taxes. It's easy to get caught up in a bidding war. Unless the item is that unique or the opportunity too personally important to let the item be purchased by someone else, you may just have to show restraint and put the paddle down (in a live auction) or not press the 'bid' button (if you're bidding online)

W - Thanks Mark! That was a great primer for anyone new to the auction world.

 

Posted: 9/7/2017 12:00:00 AM
By: Tess McLean


Halcyon Days


2017 was the 100th anniversary of the tragic death of Tom Thomson. This summer, I visited some of Thomson's favourite painting places and then paddled with my daughter to the cairn on Canoe Lake, a pilgrimage in honour of this exceptional Canadian. It was a poignant experience for me and a powerful reminder of the beauty of the Canadian landscape and the fleetingness of summer, which we can easily forget when we spend too much time behind a desk or tablet.

The one thing that keeps most of us sane during summer in the city is that great Canadian institution - the pilgrimage to cottage country beginning from the Victoria Day weekend and repeated religiously every weekend thereafter we can spare. The glory days of summer (despite a little rain here and there) begin to taper off now with the arrival of Labour Day Weekend. Our thoughts turn to the start of the school year, to TIFF, to gallery hops and galas and other city- centred events that fill the early months of autumn, muffling the cries of the loons and the splash of a paddle, putting distance between those lazy, hazy, crazy days of summer as we sprint towards Christmas.

There will be no more time for trips north now but, luckily for us, hanging in the office of the Canadian Art Department, is Charles Comfort's exquisite rendering of Monument Channel, Georgian Bay extending that summer idyll for a few weeks longer until it, too, moves on to the home of whoever is wise enough to acquire it at our November 20th auction of Important Canadian Art.

In saying goodbye to summer 2017, Anna, Rochelle and I want to take this opportunity to wish all of you a safe and enjoyable long weekend. We look forward to welcoming you back to our sales rooms on September 17 and 18th, when we will be previewing our Select Online Sale of Canadian Art.

Posted: 9/1/2017 12:00:00 AM
By: Linda Rodeck


SEPT FINE WINE & SPIRITS AUCTIONS - A MAGNUM TASTING & MORE


We hope you have all had a wonderful summer and are ready for a great fall season of Fine Wine and Spirits. Waddington’s Fine Wine department has been very busy over the last few months and we are pleased to report that our September auctions are ready to roll. The catalogues will be available in print and online before Labour Day weekend giving you lots of time to peruse the sale as you enjoy the last weekend of summer.

The Fine Wine and the Fine Spirits auctions will run concurrently online from September 11-19 at finewine.waddingtons.ca.

To celebrate the launch of the season and the bounty of the September auction Waddington’s Fine Wine will be hosting a Magnum Tasting on September 14 from 6-8 pm.

Representing some of our most impressive cellars, these wines exemplify the superb quality of the September sale. Here are the wines we look forward to enjoying with you:

1994 Ornellaia 1995 Tignanello 1995 Dominus 2000 Chateau de Beaucastel Chateauneuf du Pape 2005 Chateau Beau-Sejour Becot 2005 Chateau Gruaud-Larose 2009 Clos St. Jean Chateauneuf du Pape La Combe des Fous 2010 Faiveley Gevrey Chambertin Les Cazetiers

The tasting will start off with some delicious Champagne and excellent cheese. Tickets for the special tasting are $75.00 and are strictly limited as the wines are available in limited quantity. To order tickets please contact Brittany Boyd-Pyman at 416-504-9100 or bbp@waddingtons.ca.

Please also note that the deadline for consignments for the November auction is September 22. See finewine.waddingtons.ca for information on submitting lists for consideration.

Finally we wish to say thank you and farewell to our Inventory and Client Service Manager, Franklin Marcano, who is leaving Waddington’s for a job in the US in the energy sector. Many of you have got to know Franklin over the last two years and we will miss his graciousness and dedication to our Fine Wine clients.

We look forward to seeing you at the tasting and to your participation in the Fall auctions.

Stephen Ranger

Posted: 8/21/2017 12:00:00 AM
By: Stephen Ranger


What You Need to Know About Buying Vintage


Thinking of buying a vintage engagement ring?

You may be surprised to know there are many excellent reasons you should consider purchasing a pre-loved token of affection. Christa Lambert explains the top four reasons and provides some advice on what to look out for when you buy antique:

  1. Hand crafted and one-of-a-kind – If your significant other loves unique pieces, you can be sure the vintage ring you propose with will never be seen on another hand. Each antique piece was handcrafted by skilled jewellers prior to the introduction of modern equipment used today to create jewellery, such as CAD and growing machines. Antique pieces were hand crafted; added details such as engraving and milgrain all required much more time, patience, and skill. The precision details of the past just cannot be duplicated to the same degree by today’s modern methods.
  2. Exceptional value, get more for your budget – Why pay retail prices, when you can purchase a piece of equal value for a fraction of the price? Retail prices are based on market value of the metal and gemstones, plus an average of 200-300% mark up (sometimes even more). Auction estimates are primarily based on the market value of materials. And bear in mind that many antique dealers actually buy their stock at auction, adding their markup when it enters their display case. Chances are you'll find a deal by participating in an auction, and perhaps even be able to buy a larger diamond than you thought your budget could afford.
  3. A historical piece makes an excellent heirloom – Each antique ring tells a story. It’s fascinating to learn about the older cut of diamonds, materials used, and the different styles that date a piece. Perhaps there is a hallmark that will provide information on a country of origin or a maker mark that gives the piece historical significance. Speaking with a Waddington’s specialist you can learn all about your ring of choice and share its romantic story with your intended.
  4. It’s a more environmentally safe and ethical choice – In today’s world we’re increasingly conscious of the footprint we leave on this earth and make choices acordingly. That includes being aware of the environmental impact of mining metals and gemstones. When purchasing a vintage piece, you’re not contributing to further damaging impact on our environment. For more information visit www.nodirtygold.com, a website making ripples and influencing retailers to take a stand against destructive mining.
"There is no such thing as clean gold, unless it’s recycled or vintage,” Alan Septoff, communications manager for the No Dirty Gold campaign.

What to be on the lookout for when buying an antique ring:

    1. Loose stones – A simple shake close to the ear is usually enough to tell if there are loose stones in a mount that would require tightening by a skilled jeweller.
    2. Wear on claws – Over time the claws that secure stones can wear down, leaving the gemstones susceptible to coming loose from the mount.
    3. Are the details intact? After years of wear, details can be softened. In the case where rings have been worn next to each other, some details may be worn off completely.
    4. Thickness of the shank – After years of wear, a shank may have been worn quite thin. Antique rings sometime require a shank replacement.
    5. Have there been alterations or repairs to the piece? Using a jeweller’s loop, study the piece to see if there have been changes. You may notice globs of solder that have not been removed properly. Parts may have been added or removed from a piece. Poor quality repair or alterations can detract from a piece’s beauty and value.
    6. Have old-cut diamonds been replaced with modern-cut stones?  Using a jeweller’s loop, examine the diamonds. Do the cuts match? Often, older stones have been lost and replaced with modern cuts.
    7. Is the ring the right size / can the size be adjusted? Not all rings can be sized without damaging the structural integrity of the ring, or details such as enamel inlay. Ask a Waddington’s specialist if it is possible to size the ring you're interested in.

The good news is that many of the above problems can be corrected by a skilled jeweller. Make sure you speak to one of Waddington’s jewellery specialists to find out if pieces can be restored and what are the costs associated with repairs that may be required.

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Posted: 8/1/2017 12:00:00 AM
By: Christa Lambert


Two Things to Know About Fine Prints & Photography at Auction: “The Cachet without the Cash”


Fact 1: Auction houses are a fertile springboard for strengthening the market for prints and photography.  And as an integral part of that market, we're pleased to offer a unique selection of Fine Prints & Photography in our September 8- 21 auction featuring Modern, Contemporary and Impressionist artworks.


Fact 2: Global online art market sales surged to $3.75 billion in 2016, a 15% increase from 2015.   As a leader in online auctions in Canada, we predict this growth trend to continue. Approximately 35 % of our revenue is currently generated by online auctions. We act opportunistically to determine the best platform to suit the potential of the material being featured; for the prints and photography market, online auctions have proven to be the optimal method for us to reach our international audiences.


Waddington’s Fall 2017 Prints & Photography online auction includes excellent examples of the type of works currently sought by collectors, including two special works by Andy Warhol: Flowers, 1964 and Wayne Gretzky #99, 1983.  Warhol’s portrait of “the Great One” seems particularly apropos in this year of Canada’s 150th anniversary - giving us another reason to celebrate Canadian icons.  This dynamic silkscreen brings to life Warhol’s obsession with portraiture and celebrity (which extended to elite athletes), and captures the vivacity of Gretzky as a budding legend with bright and bold energy.


On the subject of icons, three works from the final photo shoot of legendary movie star Marilyn Monroe are also included in the auction.  American photographer Bert Stern captured both the beauty and fragility of Monroe in a series of photos that would become to be known as the “Last Sitting”.  Marilyn with Diamonds is one of the best from the series -  Marilyn draped in diamonds and pearls, the epitome of sensual and human vibrancy - later adorned with 23 Swarovski crystals by Stern. Crucifix is actually one of the prints Monroe didn’t want published, indicated by the ‘red cross’ scribbled across in marker.  Like other portraits of Stern’s from the 1960s, these images of Monroe exhibit a directness without sacrificing the sitter’s natural relationship with the camera.


Amongst the prints included in the September auction is a perfect archetype of German-American artist and Bauhaus alum Josef Albers. The Bauhaus concept of the union of art and design is clearly evident in Albers’ I-S’K, where he experiments with a single, repeated geometric shape, the relativity of colour, and how it changes through juxtaposition, placement, and interaction with other colours. Albers’ work continues to gain traction as appreciation of the Bauhaus aesthetic increasingly suits contemporary design tastes.


We’ll continue to add to our online preview gallery and look forward to welcoming you to our gallery to preview the entire auction September 8 – 21, which will be hosted by global powerhouse Artsy.net. In the meantime, please don’t hesitate to contact me directly if you have any questions.

Posted: 8/1/2017 12:00:00 AM
By: Holly Mazar-Fox


Assessing the Art Market for Antiques & The Arts Weekly


Antiques & The Arts Weekly asked our perspective on the market for their July 18 story: Northern Perspectives: Canadian Auctioneers Assess The Market.

Linda Rodeck, Senoir Canadian Fine Art Specialist, Christa Ouimet, Inuit Art Specialist, and Sean Quinn, Decorative Arts Senior Specialist weigh in on the discussion.

Questions posed to Linda Rodeck, Senior Canadian Fine Art Specialist, Waddington’s:

Q: Beyond the Group of Seven, what Canadian artists are of interest to collectors?

A: Because of current demand, we are seeking works that resonate for two discreet audiences. One core group is focused on the distinct history of Canada and chases mostly Nineteenth Century topographical works. The other focus of top collectors is great Canadian masters from the 1950s through to the early 1970s, painting primarily in a non-representational style. Quebec artists, in particular Les Automatistes and Les Plasticiens, are currently du jour.

Q: What percentage of your business is online and how much do you see that changing?

A: Currently about 35 percent of our revenue is generated by online sales. However, in our view, online sales cannot replace the live experience. Waddington’s will continue to act opportunistically – live and online sales, themed or seasonal sales – adapting each to suit the potential of the material being featured.

Q: To what may we look forward to in your live auction of Canadian art scheduled for November 20?

A: The fall Canadian art catalogue sale should comprise about 140 lots in total. We have already accepted 45 lots, more than half of which are Group of Seven pictures. The Group pictures are solid bread and butter for us, but my associates and I will soon be hitting the road in search of those rarities that transform a seasonal sale into an event. Stay tuned.

Questions posed to Christa Ouimet, Inuit Art Specialist,  Waddington’s:

Q: How long has your firm been a major player in the Inuit art field?

A: Waddington’s was the first auction house to have a dedicated department for Inuit art, and we are now approaching our 40th anniversary of holding standalone Inuit art auctions. We handle mainly Canadian Inuit artwork, with some Alaskan and Greenlandic work, primarily sculpture, prints and textiles from the 1950s to the 1990s.

How much education is still needed to familiarize buyers with Inuit art?

A: We have clients and consignors all over the world, but, as with all art forms, education is key to developing and nurturing new collectors. Our website, www.waddingtons.ca, offers the most comprehensive searchable database of artists and artwork. We also manage the companion website www.katilvik.com, which lets users search Inuit art and artists, and even translate syllabics as they may appear on their artwork. Canada’s incredible public art galleries and museums also foster appreciation for the broad and deep tradition of Inuit art.

Q: Has the push for an international ivory ban changed what you do?

A: Waddington’s policy is to not accept consignments of post-World War II elephant ivory or any rhino horn, and we fully abide by the CITES international convention regulations when handling materials from plants or animals that may be threatened or endangered. All of our catalogues, for many years, have included a compliance statement to this effect. So the recent push on a total ban on ivory really fits into our longstanding policies in place. Of course, ivory, mostly from walrus, is still a common medium for artists working in the North and would be procured by the Inuit artists themselves or by Inuit hunters. The ivory used for carvings is a by-product of traditional hunting for food. If one of those pieces is purchased by a collector outside of Canada, the appropriate permits would be secured prior to export.

Questions posed to Sean Quinn, Decorative Arts Specialist, Waddington’s:

Q: What went into your June 27 Canada 150 sale?

A: This sale was a collaborative effort between several departments within the company. We had great luck when we put out a call for consignments, but many things came in by fortuitous happenstance, like the cast iron border marker, which sold for $18,000 CAD. A woolly mammoth tusk from the Yukon did $9,000. Two silver Canadian Peace Medals did $15,600 and $13,200 respectively.

Q: Where do you see the market heading?

A: It seems there are fewer collectors who like to amass large quantities of similar things. I think today people tend to decorate with one or two good pieces of silver, or a Victorian microscope, rather than 70 Royal Doulton figurines. I love the unusual and tend to get excited about interesting things I don’t see every day. I’m especially interested in science and medicine, natural and Canadian political history and antique weaponry, among other things.

By Laura Beach, Antiques and The Arts Weekly

Posted: 7/25/2017 12:00:00 AM
By: Tess McLean


Summer Wines and Fall Wine Auctions


When the weather heats up fine wine lovers often find themselves looking askance at big brooding Cabernets and Barolos and seek out the gentler pleasures of lighter whites, cru Beaujolais, and often these days, rosé, to quench their thirst. Regional Italian whites like Greco di Tufo, Bandols and Tavel from Provence, Morgons and Chenin Blanc from Beaujolais and the Loire provide exceptional drinks (and value), to match grilled summer fare. 


While most of these wines are not intended for, or even suitable for long term cellaring (and would rarely appear at auction), the price quality ratio has never been closer and the abundance of summer wines never better. 


This summer the Fine Wine department has been busy cultivating our cellar tans and preparing for the fall season with two major auctions planned for September and November. We are thrilled to tell you that the season is shaping up to be a blockbuster, with several important collections and estates slated for sale.


In particular, we are very excited about a major estate collection we will be offering in September that is a Bordeaux lovers dream. Multiple lots of Lafite, Latour, Mouton, Margaux, Ausone, Cheval Blanc, Le Pin and Pétrus from great vintages of the 80’s and 90’s are only part of the offering. They are joined by an array of second, third and fourth growths as well as verticals and large format bottling’s of Dominus, Ornellaia, Sassicaia and Tignanello. The cellar is capped by Imperiales of 1990 Château Margaux and 1982 Château Pétrus as well as jeroboams of 1995 Château Margaux and 1981 Château Ausone. It may well be the most prestigious cellar we have yet to offer. All the wines have been purchased from highly reputable sources and impeccably stored. 


To help celebrate this magnificent cellar as well as our other excellent consignments, please save the date for Thursday, September 14 for a Magnum Tasting to kick off the season at Waddington’s. This will be a ticketed event with attendance strictly limited. Details will be posted in August including a full list of the wines to be poured. 


In the meantime, enjoy the warm temperatures, the sunshine, and of course, your favourite summer wines! 


Stephen Ranger 
Joann Maplesden
Franklin Marcano


 

Posted: 7/7/2017 12:00:00 AM
By: Stephen Ranger


What Sells at a Canada 150 Auction?


What Sells at a Canada 150 Auction?


Note: We were working on a post-auction summary about our Canada 150 auction at the same time that Leah Sandals was working on a story.  After reading Leah’s story, we realized we couldn’t tell the story any better than she did, so please read and enjoy courtesy of Leah and Canadian Art.


On June 27, Waddington’s in Toronto held what it called “The Canada 150 Auction.” 


Here are 12 objects from the event, all of which found ready buyers.


June 29, 2017 by Leah Sandals, managing editor, online, at Canadian Art


From funding for major new arts events to spurring of political resistance among Indigenous artists and allies, the federal government’s Canada 150 proclamation has affected many sectors of the art world so far this year. And as of this week, the auction field is no exception. On June 27, Waddington’s auction house in Toronto held what it called “The Canada 150 Auction.” The 190 lots in this sale ranged from tiny silver snuff boxes to massive acrylic paintings, and from 400-year-old Maritime maps to 28-year-old Skydome tickets.


Here are 12 interesting lots from the auction—all of which found ready buyers.



Norval Morrisseau’s Shaman Astral Guide I and Shaman Astral Guide II (Estimated at $50,000 to $60,000, sold for $60,000)


Each of the canvases in this 1978 diptych measure three metres high, providing a prime example of work by the man credited with creating the Woodland School style. Morrisseau, who was Anishinaabe and self-taught, said that “all my painting and drawing is really a continuation of the shaman’s scrolls.” Early on, he also painted on birchbark and moose hide, among other materials.


Given the critiques that many Indigenous artists and allies have made of Canada 150 in recent months, it is worth remembering that Morrisseau, in his day, also confronted issues of erasure and censorship. He was asked to be part of the Indians of Canada Pavilion at Expo 67—and ended up leaving the project when government officials, as Carmen Robertson puts it, “deemed his mural design of bear cubs nursing from Mother Earth to be too controversial.”  The pavilion itself still took a critical slant after Morrisseau’s mural was finished (in altered form, by another artist) with visitors being greeted by the phrase “You have stolen our native land, our culture, our soul…” and other truths.



Convention of London, Canada-United States Cast Iron Obelisk Form Border Marker, 19th Century (Estimated at $5,000 to $7,000, sold for $18,000)


A great many historical, somewhat utilitarian, items were available in this auction, and this is the one that went for the highest price: a marker that was erected along the border between the US and Canada in 1861.


Made of granite, cast iron, bronze and stainless steel, and reaching some two-and-a-half metres high, the marker/obelisk was one of 8,600 placed along the border that year. The Convention of London—whose signing date, October 20, 1818, is printed in raised letters on the obelisk—was, as the Canadian Encyclopedia puts it, “a treaty between the United States and Britain that set the 49th parallel of latitude as the boundary between British North America and the US across the West. This remains the boundary today between the two nations.”



Woolly Mammoth Tusk from Yukon Territory (Estimated at $3,000 to $4,000, sold for $9,000)


Some fossils are found in museums, others stumbled upon by hikers at trailside or by engineers on a mine site. Though it is uncertain exactly where this tusk came from, and who initially found it—it is now heavily polished, and comes with its own presentation stand—it is said to be from the Yukon and the Devensian Period, roughly 110,000 to 12,000 years ago. As the Yukon’s Beringia Interpretive Centre notes, “These large, furry elephants were perfectly adapted to living on the Mammoth Steppe of ice age Yukon.…The long, curved tusks of woolly mammoths are probably the most immediately recognized ice age fossil from Yukon. A single tusk from an adult male can stretch over 3.5 metres long and weigh more than 100 kilograms. These tusks may have been used for display, defense, or possibly to sweep away snow to get at grass in the winter.”



E. Pauline Johnson (Tekahionwake) Signed Portrait Cabinet Card (Estimated at $200 to $300 and sold for $960) “


This was taken in 1894, just after I returned from my first London season. The frock is my first English dinner dress. It was made at Barkers, High St., Kensington S.W.” So reads the handwritten note on the back of this portrait of E. Pauline Johnson (1861–1913), the daughter of a Mohawk father and an English mother, who some say was Canada’s first spoken-word star. She was also known as a writer, artist and performer, penning such famous poems as “The Song My Paddle Sings,” and the 1903 book Canadian Born, which reportedly sold out within a year.


Born the youngest of four children on the Six Nations reserve near Brantford, Johnson took early to “reading and writing of rhymes,” the 1916 book Canadian Poets states. Her breakthrough performance came in Toronto in 1892 of her own poem titled “A Cry From an Indian Wife,” which told the story of the North-West rebellion from a First Nations point of view. As this cabinet card indicates, once she became established, Johnson travelled to the UK to perform as well as across Canada.



Arthur James Donahue’s Winnipeg Chair (Estimated at $500 to $700, sold at $3,840)


Originally crafted in the basement of Arthur James Donahue’s Winnipeg home with the help of his architectural design students at the University of Manitoba, the Winnipeg Chair was originally sold for $35 at the Hudson’s Bay Company. The mid-century piece was also then available in colours including orange, mustard and lime green. This one is leather-upholstered on laminated wood and an iron frame—now, a collectors’ item.


Born in 1917 in Regina to a family oriented towards farming and business, Donahue went on to, as the Winnipeg Architecture Foundation puts it, become the “the first Canadian to complete a degree at Harvard’s Graduate School of Design.” There, he was influenced by Marcel Breuer and Walter Gropius. His 1940s designs for fibreglass stacking chairs, which never went into production, were similar to those introduced a few years later by Charles Eames. Donohue’s larger-scale projects include the Confederation Building in Charlottetown, the Monarch Life building in Winnipeg and the Nova Scotia Archives in Halifax.



Pierre Elliott Trudeau Campaign Dress (Estimated at $1,000 to $1,500, sold for $2,880)


If one needed any more evidence for the frenzy that was Trudeaumania 1.0, here it is: a sleeveless A-line dress of printed cellulose fabric. Not only fashionable (to some), it also served as a wearable campaign poster for Trudeau’s 1968 Liberal leadership bid and the related party convention that year. Following his win at that leadership convention in April, Trudeaumania continued to build, and the Liberals won the federal election later that year as well. Trudeau would go on to become the longest-serving prime minister of anyone before him, holding that post from 1968 to 1979 and 1980 to 1984.



Collection of 13 World War II Propaganda Posters (Estimated at $300 to $400, sold for $3,120)


It seems that history buffs and design buffs alike love a good wartime propaganda poster. This lot of posters from 1943 fetched 10 times its low estimate at auction. Each poster measures roughly 33 inches by 22 inches, and each seems to emphasize strengthening a connection between Canadians’ efforts at home with those of Allied soldiers in Europe. Slogans include “He’s doing his part are you doing yours?” “It’s Our War” and “To Victory! With Our Help” as well as French versions, like “Allons-y… Canadiens!” for a bilingual populace.


As exhibitions at the Canadian War Museum have noted, “The creators of [propaganda] exploit the power of words and images to construct persuasive visual messages that evoke feelings of fear and anger, pride and patriotism. In proposing or privileging one point of view to the exclusion of others, propagandists during the two world wars were neither the first nor the last to manage information in this fashion. It is as much a part of our contemporary world, in commercial advertising or political campaigning, for example, as it was a part of the Roman Empire over 2,000 years ago, when emperors and generals manipulated their images and accomplishments in order to secure or attain power.”



Terkarihogen (Joseph Brant) Lease to Ahdohwahgeseon (Catherine Brant) (Estimated at $300 to $400, sold for $3,600)


Mohawk military and political leader Thayendanegea (1742–1807), also known as Joseph Brant, fought throughout the American Revolution with an Aboriginal-Loyalist band, the Canadian Encyclopedia notes. Then, when American independence displaced him from his Mohawk Valley homeland, he moved to a territory provided as compensation by the British on the banks of the Grand River in Ontario. There, he spent several years working “to form a united confederation of Iroquois and western Aboriginal peoples in order to block American expansion westward.” When Thayendanegea died in 1807, he willed his farm to his son Terkarihogen (Joseph “John” Brant). In 1811, this son leased it back to his mother Ahdohwahgeseon (Catherine Brant), who returned to live there for the rest of her life. The lease is created in quill on laid paper, and is signed by the younger Joseph Brant, as well as Catherine Brant, and witnesses.


Thayendanegea is the namesake for present-day city of Brantford, where both his and his son’s remains are interred at the burial grounds around the Chapel of the Mohawks.



The Beatles First Concert at Maple Leaf Gardens Ticket and Programme (Estimated at $100 to $150, sold for $2,460)


From Trudeaumania to Beatlemania, this auction spanned it all. This souvenir is from the Beatles’ September 7, 1964 concert at Maple Leaf Gardens. It is claimed that Toronto was actually home to the largest organized Beatles fan club in North America at one point, and perhaps that is true; on this particular visit, the Beatles played two shows (one at 2:30 p.m. and one at 8:30 p.m.) selling 35,522 tickets, says the Beatles Bible. (The ticket in this auction lot was for the afternoon show, originally priced at $5.00).


When the band arrived at the King Edward Hotel from the airport, they reportedly found a 14-year-old girl hiding in a linen closet. At the Gardens, 4,000 police officers and Mounties were on duty, and a five-block surrounding area was sectioned off for 12 hours before the group’s arrival. The Beatles returned to Maple Leaf Gardens on only two other occasions: 17 August 1965 and 17 August 1966.


 



Kenojuak Ashevak Owl’s Bouquet (Estimated at $2,000 to $3,000, sold for $6,600)


This 2007 stonecut and stencil on paper contains an image that Canadians will be seeing a lot more of this year, as a 10-dollar bill featuring a replication of Owl’s Bouquet was recently unveiled by the Bank of Canada for general currency circulation during Canada 150.


Kenojuak Ashevak (1927–2013) is the first Inuit artist to have work on a Canadian banknote. It’s just the latest nod to this artist’s influence and legacy; in 1970, her print for the Enchanted Owl was featured on a postage stamp, and last year, she was honoured with a Heritage Minute. Ashevak was one of the first women involved with the Cape Dorset Co-op. During her lifetime, she also received the Order of Canada and the Order of Nunavut, and was exhibited at many international locations.



Vincent Massey’s Top Hat (Estimated at $300 to $400, sold for $1,680)


Among his other achievements—like initiating the tradition that all Governor Generals be Canadian citizens—Vincent Massey (1887–1967) is perhaps best known in the arts for major initiatives of his that continue to have impact, such as the annual Massey Lectures and the 1951 Massey Report, which led to the establishment of the Canada Council. These initiatives came in his seven years as Governor General from 1952 to 1959. Massey’s legacy is not without controversy and documented bias, however. The award-winning 2012 book None is Too Many: Canada and the Jews of Europe, 1933-1948 states that in the late 1930s, Massey tried to use his influence as scion of a wealthy family to keep Jewish refugees out of Canada, advocating to the Prime Minister that Canada boost refugee status for non-Jewish Eastern European migrants instead. Wikipedia also notes that “His donation of Hart House to the University of Toronto stipulated that the building be restricted to men only, and it was not until after his death that the deed of gift was altered to allow for women becoming full members in 1972.”


This circa-1940 top hat, along with leather case and travel pillow, came from Lock & Co. Hatters on St. James Street in London, and perhaps can be read as representative of the colonizer costumes and morays woven together in Massey’s history, and his impact.



Emily Carr’s Klee Wyck Book and Note (Estimated at $100 to $150, sold for $1,800)


Old books were a prominent feature of this auction, with volumes including a first edition of L.M. Montgomery’s Anne of Green Gables, a 1925 edition of Wilfred Thomason Grenfell’s A Labrador Doctor, and a 1869 edition of Catherine Parr Traill and Agnes Fitz Gibbon’s folio Canadian Wild Flowers.


This first edition of Emily Carr’s Klee Wyck, published in 1941 and winner of the Governor General’s Award that year, describes, through her settler eyes, some experiences among First Nations people in BC. Carr’s books, like her Klee Wyck persona, is not without its problems, contemporary critics have noted. In the Encyclopedia of Literature in Canada, Misao Dean notes of Carr’s earlier memoir Growing Pains: “Aggressively colonial, resentful of British condescension, the narrator retreats into her identity as Klee Wyck, ‘the laughing one,’ in order to defend herself against negative pronouncements on her appearance and manners.” Dean also writes that Carr’s books contain “habitual distortion of the facts of her life,” often departing “from strict fact to heighten the sense of her protagonist’s victimization.”


The signed note accompanying this book was sent to a Mrs. Mackie in Toronto in thanks for a yearly association membership card. “Mounting years and poor health make seeing to [art] shipping details burdensome,” Carr writes, “but I have had a one man show in the Vancouver Art Gallery for the last four successive years so you see I still work in spite of war and indifferent health.”

Posted: 6/30/2017 12:00:00 AM
By: Tess McLean


Recent & Upcoming Events in Canadian Art


Recent and Upcoming Events


Waddington’s May 29th Spring Auction of Important Canadian Art was an exhilarating evening with the total hammer price for the sale widely exceeded Waddington’s pre-sale expectation for this select 112 lot event.


Our cover lot, an early topographical watercolour by William Armstrong, came within a hair’s breadth of setting a new world record for the artist. Our back cover lot, a mighty 1961 McEwen painting, doubled its pre-sale estimate, and dozens of other lots soared well above their pre-sale estimate, to our sellers’ great delight.


On June 27th, we will be conducting our Canada 150 Auction which includes exquisite and fascinating objects and works of art selected to tell the story of Canada’s history. The sale is a collaborative event supported by the Canadian Art, Decorative Arts, Inuit Art, International Art and Jewellery Departments here at Waddington’s.


Please be sure to look for highlights from the Canadian Art Department including a suite of 21 paintings by William Kurelek depicting Huronia in 17th Century Canada, as well as works by AY Jackson, Frederick Banting, Emily Carr, Jane-Ash Poitras and others.


Details about this special sesquicentennial event can be found here: The Canada 150 Auction


 

Posted: 6/15/2017 12:00:00 AM
By: Linda Rodeck


Waddington’s Canada 150 Auction


The Canada 150 auction is a special Waddington's event celebrating Canada's 150th anniversary featuring art and objects of historical and cultural significance. Some may be whimsical, others more important, all drawn together to celebrate and tell the stories of 150 years of Canadian art and culture. Waddington's is proud to be Canada's oldest auction house, founded pre-Confederation. Our deep well of expertise crosses multiple collecting categories, showcasing our rich passion and capacity for scholarship and linking our heritage to Canada's. This specialized auction will share in the excitement of Canada’s sesquicentennial. Please contact Sean Quinn for further information: sq@waddingtons.ca View the Auction Gallery



CITY OF TORONTO QUEEN VICTORIA DIAMOND JUBILEE ENAMELLED GOLD MEDAL, 1897 Estimate: $2,000—3,000



PROVINCE OF CANADA LAND GRANT TO SIR SANFORD FLEMING, 1856 Estimate: $300—400



LARGE SILVER CANADIAN INDIAN PEACE MEDAL, 1860 Estimate: $2,000—3,000



AFTER JOHN S.C. SCHAAK (ACTIVE WESTMINSTER 1761-1769), BRITISH MAJOR GENERAL JAMES WOLFE, COMMANDER IN CHIEF OF HIS MAJESTY’S FORCES ON THE EXPEDITION AGAINST QUEBEC, 1759 Estimate: $3,000—5,000



JOHN MARSHALL & CO. ‘CANADIAN SPORTS’ LARGE BASIN, 1880S Estimate: $150—250


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Posted: 6/3/2017 12:00:00 AM
By: Tess McLean


Fine Wine & Fine Spirits Auction Results - May 2017


Dear Fine Wine Lovers,


The results are in and we are pleased to report that our May 2017 Fine Wine and Fine Spirits auctions were tremendously successful.


Wine boasted an astonishing 98.1% sell through rate with over 220 lots selling over the high-end estimate. Fine Spirits sold a solid 85% and demonstrated growing interest in this emerging category. Over 4,000 bids were placed in both sales and over 518 lots changed hands. Some major highlights of the auctions include:



  • A Sassicaia vertical 1995-2000: Estimate $1,400 to $2,000 - price realised $2,700

  • Japanese Karuizawa whisky: Estimate $2,000 to $2,300 - price realised $5,880

  • A Mouton Rothschild vertical 1945-2000: Estimate $55,000 to $65,000 - price realised $57,600

  • Three bottles of Château Pétrus 1979: Estimate $4,100 to $4,800 - price realised $5,280

  • Three bottles of Screaming Eagle CS 1999: Estimate $7,300 to $8,500 - price realised $9,000

  • A double magnum of Château Lafite Rothschild 1999: Estimate $2,800 to $3,300 - price realised $4,980

  • Two bottles of Château Haut-Brion 2000: Estimate $1,500 to $1,700 - price realised $3,900

  • A mixed lot of Le Petit Mouton 2005 (3 mag.) and Les Hauts de Pontet Canet 2009 (1 mag.) opened at a bid of $900 and after fierce bidding realised an incredible price of $3,300


To see all the results for the auctions please see:


View Wine Results


View Spirits Results 


Invitation To Consign Quality consignments for our September 2017 Fine Wine & Spirits Auctions are now being accepted for consideration - deadline is July 15, 2017. With such consistent success, we urge potential consignors for the fall auctions to get their lists to us as soon as possible in order to ensure a place in what is shaping up to be an exciting season of Fine Wine at Waddington's. Upcoming Auctions


We will be offering two major auctions: September 11 - 19, 2017 and November 20 - 28, 2017 For more information: https://finewine.waddingtons.ca/upcoming-auctions-events


For more information on the consignment process, please visit: https://finewine.waddingtons.ca/how-to-sell


Cheers from the Waddington's Wine & Spirits Team!

Posted: 6/3/2017 12:00:00 AM
By: Stephen Ranger


One Art Nation Lecture Series Comes to Waddington's


Waddington’s is pleased to host the final presentation in the One Art Nation lecture series on Wednesday, May 24 at 6 pm. The informative discussion on buying and selling at auction will feature a private viewing of the Waddington’s Canadian and Inuit art auctions.


Buying and Selling at Auction Curious about how auctions work? Waddington’s senior specialists Linda Rodeck and Stephen Ranger will explain that if you know how to go about it, purchasing and selling art at auction can be accessible, affordable, personal and fun. The leading experts in the Canadian art market will discuss the merits and opportunities of buying fine art at auction and will offer their personal insights on short and long term collecting strategies. The talk will conclude with a tour of the auction preview


About One Art Nation One Art Nation (1AN), an international online art network connecting collectors, enthusiasts, professionals and experts, brings its internationally recognized vision for innovative arts education and community home to Canada with 1AN’s inaugural four-part “Art Collecting – Know Your Options” Toronto Spring Lecture Series. Discussions on Art Collecting, Understanding the Artist’s Process and Buying at a Gallery, preceded this final event at Waddington’s. Through educational talks, artist showcases, and expert interviews, One Art Nation (1AN) is demystifying the process of buying art from start to finish. Their goal is to bring together prominent art experts from across the globe to address topics that range from building, maintaining and protecting a collection, to tax and financial aspects of owning art.


Click here to register for the event


Lot 24 - JEAN ALBERT MCEWEN, R.C.A. COMPOSITION Estimate: $25,000—30,000

Posted: 5/19/2017 12:00:00 AM
By: Tess McLean


Bid on a Vertical of Château Mouton Rothschild


Drinkable Art Introducing Lot 289, an impressive 56-bottle vertical of Château Mouton Rothschild, 1945 to 2000. This vertical is a merging of two disciplines of art: outstanding oenology and sophisticated artistic labels. Each vintage of wine and label is unique to itself but as a whole collection reflects the passage of time. Salvador Dalí (1958), Joan Miró (1969), Marc Chagall (1970), Pablo Picasso (1973) and Andy Warhol (1975) are a few of the contemporary artists that have designed Château Mouton Rothschild labels; interestingly, for payment in cases of wine. History in a Bottle In 1945, Château Mouton Rothschild commissioned artist Philippe Jullian to create a unique wine label to celebrate the victory over Germany in World War II. Thus began the tradition of creating a unique wine label for every vintage. The labels are often topical, sometimes whimsical, but always quintessentially Mouton. The wine itself is also the closest one can come to drinking history; drinking this collection of wines would not only allow one to follow the evolution of the chateau's masterful work but to also follow the evolution of art, style and culture. Bidding To bid on this collective work of art, whether for the fantastic investment opportunity, the potential cellar crown jewel, or to drink history yourself, you must be registered for our online auctions. Fine Wine Online Auction May 8 - 16, 2017 Specialists: Stephen Ranger skr@waddingtons.ca Joann Maplesden jmm@waddingtons.ca


 

Posted: 5/15/2017 12:00:00 AM
By: Stephen Ranger


Fine Wine & Spirits May Auctions


There are always great reasons to get excited for the Spring and it’s not just the return of the warmth and the green to our lives. For the Fine Wine Department at Waddington’s, it’s our Spring Auction running May 8-18.


We’ve carefully assembled over 400 lots of fantastic wines representing the best of what you can buy in the wide world of wine. Leading off with some beautiful trophies, like multiple vintages of Pétrus and Lafite, our Bordeaux offering culminates in a spectacular vertical of Mouton Rothschild featuring one bottle from each vintage 1945-2000. These wines were originally purchased at the Vintages auction in 2003 and have been lovingly stored in a custom built cellar in the east end of Toronto ever since. The vertical is like looking at history in a bottle and the condition of the bottles ranges from very good to excellent.


Speaking of condition, now is probably a good time to emphasize how seriously we take the provenance of each and every bottle we receive for consignment. Our team regularly makes cellar inspections and every bottle is examined of every lot we offer. If there is a question that the wine has been not properly stored, it is not accepted for sale. It is our duty to you to maintain the highest standards of quality and professionalism and we welcome all enquiries regarding provenance of the offering, every sale.


Getting back to the auction, please register and bid on a huge array of ready-to-drink red and white Burgundy from a notable cellar; more Châteauneuf-du-Pape and rare Rhône wine from a Mississauga collection; plenty of cult California, like Saxum and Dominus; multiple case lots of rare Italian wines as well as wonderful mixed lots of Bordeaux for special days or Mondays.


We hope you enjoy this auction and greatly appreciate your enthusiasm and support for Fine Wine at Waddington’s.


Stephen Ranger

Posted: 4/29/2017 12:00:01 AM
By: Stephen Ranger


Inuit Art Spring 2017


We are pleased to present the following collections and individual works entrusted to us for this spring's auction of Inuit Art.

This lovely selection of artwork by artists from across Canada’s Arctic is highlighted by the prestigious private collection of a long-time auction attendee who found such treasures as Karoo Ashevak’s animated drum dancer at Waddington’s in 1983.

Another extraordinary work in this auction is Michael Massie’s mixed media work titled Creativity of the Spirit: Distant Relations which has gained the admiration of all of Waddington’s specialists and which I’m especially pleased to present to the auction market, along with three other fabulous works by Massie. From this same Ottawa collection we offer some stunning contemporary graphics by Itee Pootoogook, Germaine Arnaktauyok and Kenojuak Ashevak.

A particular wonder of this auction is a collection of fabrics printed with incredible designs in Cape Dorset in the 1960’s. The largest collection of fabric art to come to market and a rarity to even see - this collection is a piece of the history of innovation in the West Baffin Eskimo Co-operative.

Pauta Saila, the master of the dancing polar bear, is well represented in the following pages, each carving of his was carefully selected and are prime examples of different creative phases in his career.

Finally, we are pleased to bring attention to another collection which has come all the way to us from Wales and was composed by a couple who lived and worked in the North in those early days and felt akin to the people they met there. We’ve included their story on page 56 of the catalogue.

Thank you to all of our consigners this season, it is truly a pleasure to hear your stories and be trusted to present your collections. A sincere thank you to all the collectors who continue to demonstrate their love of Inuit art, season after season.

View the PDF Catalogue


Christa Ouimet Inuit Art Specialist

Posted: 4/29/2017 12:00:00 AM
By: Christa Ouimet


In Memory of Ron McLean, Auctioneer Extraordinaire


Ronald McLean, the patriarch and founder of modern-day Waddington’s, passed away this past Saturday morning, March 25, at the age of 92.

Ron will be remembered for both his business integrity and engaging charm, but most people will also fondly recall his skill, character and humour, as a wonderful auctioneer. Whether he was selling an eclectic, one of a kind piece to an anxiously excited client at a Waddington’s regular weekly auction, or a fine painting that was destined to grace the wall of a prominent collection offered in a catalogued auction, his auctioning style was the same, delivered in his broad, Northern England accent. Informed, at the same time entertaining, and never missing a bid.

In contrast to this new era of anonymous and impersonal online auctions – Ron, sitting above the crowd and declaring an item he was offering as “not hard sold” was the classic old school auctioneer.

A celebration of Ron’s life will be held in early May at Waddington’s.
Posted: 3/27/2017 12:00:00 AM
By: Duncan McLean


SKAM Graffiti Art Online Auction April 3 - 13


Waddington’s is proud to present Toronto’s first auction of Graffiti Art. A collection of 16 recent works by Toronto-based artist Jason Wing, known as SKAM, will be offered in an online auction April 3 to 13. Highly-regarded, Jason is considered one of Toronto’s true, original graffiti artists.

Formally trained in graphic design at George Brown College, Jason began creating his art over 20 years ago, which now appears everywhere from dark back alleys to gleaming corporate spaces. Of the works featured in the Waddington’s auction, each is an original, spray-painted freehand onto canvas, varying in size from 48” x 48” to 48” x 96”.

In answer to what he is inspired by, Jason says: “It varies, sometimes I sketch beforehand and sometimes I don’t. Nowadays with over a 1000 plus pieces under my belt I generally free style. I get inspiration from anywhere and everywhere: fashion, art, music, etc.”

Jason skillfully balances maintaining his street credit with receiving mainstream recognition for his work. He has designed movie sets, conducted live painting engagements for festivals and special events, as well as created commissioned artwork for clients like Yabu Pushelberg, Google, Beanfield Metroconnect, and Louis Vuitton.

In addition to his graffiti work, Jason is also an entrepreneur, and has turned his lifelong passion into a storefront business, Homebase, which sells graffiti supplies, providing other artists with access to great products and to connect with him. Jason is also prolific. He paints personal pieces on a weekly basis, completing an average of 80 works a year.

Duncan McLean, president of Waddington’s, notes that “urban art plays a critical role in constructive societal discourse. It is free expression at its ultimate and underlines our innate need to chronicle our stories, struggles, history.” He adds: “Waddington’s has been the vanguard of promoting diverse forms of Canadian art, from our first sales of Group of Seven works in the 1960s, to creating new markets for Inuit art over the last four decades, and developing a secondary market for contemporary Canadian art through our Concrete Contemporary Art Auctions and Projects division.”





Posted: 3/2/2017 12:00:00 AM
By: Tess McLean


SELLING YOUR PROPERTY... IN JUST FOUR EASY STEPS


Selling through Waddington's means partnering with a firm with 167 years of experience auctioneering fine and decorative arts. Last year alone, Waddington's sold over 12,000 objects ranging from rare Group of Seven paintings to vintage wines. Our team of specialists is dedicated to providing you with prompt and courteous service as well as exemplary expertise.




Now Accepting Consignments for our

Spring Canadian Fine Art Auction



CONTACT OUR CANADIAN FINE ART SPECIALISTS AT

416.504.5100

OR TOLL FREE AND ASK FOR OUR CANADIAN ART DEPARTMENT

1.877.504.5700

OR EMAIL canadianart@waddingtons.ca




If you are thinking of selling your art, here are a few simple steps that will help expedite our response to you. With this information, we will be able to quickly provide auction estimates, date of sale, deadlines and terms for your consideration.

HERE'S WHAT WE NEED...

1. A basic description of the work: artist, title, medium (oil? watercolour? drawing? print?)

Example:
AY JACKSON
"Lumber Camp"
oil on wood panel

2. Measurements (excluding frame) - height x width in inches.

3. Any information you have on the history of ownership.

4. Photos (front and back).

BRAVO!
You're all done! Now just press SEND to canadianart@waddingtons.ca or mail these details to us at Waddington's 275 King Street East, Toronto, M5A 1K2.

Please be sure to include your telephone number in case we require clarification.

Our turnaround time for most inquiries is less than one week. If for any reason you are unable to provide the information above, please contact our office directly to determine what alternative may be available to you. 416-504-5100

We look forward to being of service.

PLEASE NOTE:

*There is no charge for this service for clients who sell through Waddington's.

Written appraisals for probate, insurance, family divisions, donation and other purposes can be provided by our appraisal department to current USPAP standard. For more information please contact appraisals@waddingtons.ca.


Posted: 1/26/2017 12:00:00 AM
By: Tess McLean


Canadian Fall 2016 Fine Art Auction Results


Waddington’s Fall Auction of Canadian Fine Art included 128 works that grabbed the attention of seasoned collectors and newcomers alike. The high-calibre selection of lots emphasizing quality, variety and freshness to the auction market were received enthusiastically by bidders, and resulted in a great number of lots far outperforming their pre-sale estimates.

Our specialists believe strongly that everyone should have the opportunity to participate in collecting art, and to that end, focus on offering works that appeal to buyers with varying degrees of buying capacity. Waddington's is piqued by the exceptional and marvelous at every price level. "Specialist Linda Rodeck says “We are motivated to locate consignments that will make our buyers stop, look twice, and feel as though their life has changed, even if only a little.

Waddington's sells over 12,000 lots per a year across our various sale categories including Fine Wine, Asian, Canadian, International, Inuit and First Nations Art, Jewellery, and Decorative Arts, with prices ranging from a few hundred dollars into the millions.

Waddington's is now accepting consignments for our online and catalogue sales. If you would like to discuss the auction process with us, please contact the Canadian Art department at canadianart@waddingtons.ca or 416-504-5100.

A complete list of results from our recent sales and a list of upcoming sales and events can be found on our website at canadianart.waddingtons.ca






Posted: 11/30/2016 12:00:00 AM
By: Tess McLean


Fine Wine Auction Report


With 92% of all the lots sold in our November auction, we are delighted to report a highly successful end to Waddington’s wine auction year. Highlights of the auction:

- Auction total $645,792 (including premium)
- Our best sell-through rate to date with 2,300 bids placed on 505 lots
- 137 successful bidders

Here’s a sampling of some of the top lots:

Lot 287 - 5 bottles of Chateau Lafite Rothschild 1982 sold for $15,600
Lot 324 - 4 bottles of Chateau Haut Brion 1989 sold for $7680
Lot 483 - Single bottle of Chateau Petrus 2000 sold for $4800
Lot 141 - 12 bottles of Opus One 1996 sold $4320
Lot 94 - 3 bottles of Masseto 2007 (OWC) sold for $3120

It's safe to say that the success of this auction also bodes well for the addition of some very fine offerings to the wine lists of Toronto’s prominent dining establishments.

SAVE THE DATE!

Our 2017 wine auction season will include a blue chip offering to be sold live at Toronto's Nota Bene Restaurant on February 25. Chef David Lee will prepare an exquisite three-course lunch before we launch into the auction. Tickets for the lunch are strictly limited, but all are welcome to attend the auction itself. What a great way to chase away the mid-winter blues! Ticket and menu information will be available shortly.

Other fine wine auctions scheduled in the new year include online auctions February 20 - 28, and May 8 - 16. Consignment deadlines will be shared shortly.

Until then - we wish you all the best for the season ahead and thank you for your continued passion for fine wine at Waddington’s.

4 bottles of Chateau Haut Brion 1989 - $7680
Single bottle of Chateau Petrus 2000 - $4800


12 bottles of Opus One 1996 - $4320
3 bottles of Masseto 2007 (OWC) - $3120
Posted: 11/28/2016 12:00:00 AM
By: Stephen Ranger


Inuit and First Nations Art Auction Fall 2016


Waddington’s fall auction season was highlighted by an important auction of Inuit and First Nations Art on November 22, 2016 in Toronto. Celebrating 38 years in the Inuit Art market, Waddington’s presented 200+ works by some of the most important artists in Canada.

Christa Ouimet, head of Waddington’s Inuit and First Nations Art department, was diligent during the consignment process to ensure that the vast majority of art in the auction would be fresh to the market. The carefully curated auction included major pieces from several important private collections; with many works on offer on the secondary market for the first time. Ouimet cites the rare, large scale, double-sided work in bone by iconic Canadian artist Karoo Ashevak as an example; the consensus is: for such a large and striking piece by this distinctive artist to have been unknown to the market until this time is extraordinary. Spirits Faces - Tooth Pull was a major highlight result of the auction setting a new record for the artist of $132,000.

Other examples of previously little-known works include an exquisite, early stone sculpture of a group of midwives by Ennutsiak, sculptures by Charlie Ugyuk including excellent examples of his top three subjects: an intricate demon; a highly realistic fishing scene; and his famous falcon. Superb pieces by Judas Ullulaq in both stone and antler were also featured in the auction, along with a selection of fascinating early Cape Dorset works including several small-scale gems for the Small Wonders section of the auction. Ouimet adds of special note was a large number of carvings that comprised the 1986/87 Art Gallery of Windsor exhibition: Sugluk, Sculpture in Stone 1953-1959.

An additional highlight of the auction was a magnificent 7’ work on cloth, Dropping Atom Bombs, by Métis artist Bob Boyer, which sold for $8,400.

Duncan McLean, President of Waddington’s, and leading Inuit Art expert says, “Waddington’s has played a vital role in establishing new markets for Inuit Art since our first auction in 1978. We are passionate about the art form and the culture of the Inuit and First Nations people and are delighted to present this unique art to an increasingly expanding market of discerning collectors."

Referring to the auction preview McLean added, "Can you imagine a better way to introduce a visitor to the culture of Canada than inviting them to explore the diversity of Canadian art? Side by side, complementing each other, Canadian historical, Contemporary, Inuit and First Nations, Group of Seven, pre-historic, etc.; our auction preview provides a rare opportunity to appreciate the depth and breadth of Canada’s art and culture."

Auction Highlights



Lot 80 - Karoo Ashevak, Spence Bay / Taloyak
SPIRIT FACES (TOOTH PULL)
A monumental work in dense whalebone carved to both sides with dramatic shaman or spirit faces, highlighted by antler, stone and bone inlaid eyes and inset bone teeth. The tattooed face grins widely with a prominent third eye and the opposing face with crossed eyes, mouth agape and a removable tooth attached by sinew, signed in syllabics.
Estimate: $35,000—45,000
Price Realized: $132,000




Lot 196 - Bob Boyer
DROPPING ATOM BOMBS
Mixed media on blanket, signed, titled (faded) and dated Spring ‘88 on the reverse.
A Métis artist with a cultural background influenced by the Assiniboine and Sioux, Boyer’s works, broadly, speak to notions of a dual cultural perspective of his Native heritage and Western traditions of Abstract and Contemporary art. Though he worked in a variety of media throughout his career, Boyer is perhaps best known for his series of blanket paintings completed between 1983 and 1995. Boyer elected to use a blanket as his substrate rather than a traditional canvas to address the political issues of First Nations people.
Estimate: $4,000—5,000
Price Realized: $8,400



View the Auction Gallery




Posted: 11/18/2016 12:00:00 AM
By: Tess McLean


Canadian Fine Art Auction - Nov 2016


Toronto, ONNovember 15, 2016

Waddington’s Auction of Canadian Fine Art on Monday, November 21 will make collectors stop, look twice, and maybe even feel as though their life has changed. That’s the goal of Linda Rodeck, Waddington’s Senior Canadian Art Specialist.

This fall’s auction includes 128 works that are fresh to the market, a preoccupation of Rodeck and her team, whom she refers to as ‘part art specialists and part sleuths’.

Waddington’s Canadian Art team are in fact building a reputation for offering works that have not been already passed around the art market. Prime example is The Crossing by James Wilson Morrice, R.C.A. Rodeck notes that examples of Morrice's best work have become increasingly difficult for collectors to acquire, with the recent large gift of 50 of the artist’s works to the National Gallery of Canada, added to the previous Laing Collection gift which included over 75 works, as well as a further group of Morrice sketches donated to the Art Gallery of Ontario. As a result, few oil sketches of this calibre remain on the open market, making The Crossing one of the highlights of the Canadian auction season.

While the investment value of a work of art has become increasingly part of the dialogue at art fairs and auction previews – and is not lost on Rodeck – her interest and that of her team and the broader specialist community at Waddington's is piqued by the exceptional and marvelous at any price level.  “We are motivated to locate consignments that will make our buyers stop, look twice, and feel as though their life has changed, even if only a little. I'm not after the stratospheric sticker prices alone and while I like selling valuable paintings as much as the next person, I want to sell quality at any price level."  

To further demonstrate her philosophy, Rodeck refers to an Econ 101 class lesson of “in search of a greater fool”. Rodeck reminds us that the “greater fool” theory states that the price of an object is determined not by its intrinsic value, but by the irrational beliefs of market participants. Simply put, one may pay a price that seems "foolishly" high because one may rationally expect that the item can be resold to a "greater fool" later. Rodeck continues, “We have seen a lot of this lately with the same works being passed back and forth, each new "investor" wanting his or her ten-point mark up, and PDQ! Inevitably, however, someone gets caught holding the hot ‘art’ potato.”

Admittedly, sourcing fresh works is a harder row to hoe but it’s particularly important in an age when everyone can check out what something last traded for with a few key strokes. Rodeck concludes, "I think it's more gratifying for our collectors and for us to find fresh works for their consideration and it fits the ethos of Waddington's, which is an auction house that celebrates originality and creativity."  

A selection of favourites which Rodeck and her team of "sleuths" have brought onto the market this season include:

JAMES WILSON MORRICE, R.C.A.
The Crossing
Estimate - $100,000/150,000
(pictured above)

WILLIAM KURELEK, R.C.A.
Wartime Harvesting Near Winnipeg
Estimate - $30,000/50,000

NORA FRANCES ELISABETH COLLYER
Alberta
Sold together with two drawings: St. Peter’s Church and Bermuda Street Scene
Estimate - $25,000/40,000

JAMES (JOCK) WILLIAMSON GALLOWAY MACDONALD, O.S.A., A.R.C.A.
The Butterfly
Estimate - $20,000/30,000

RAYMOND JOHN MEAD
Untitled
Estimate - $10,000/15,000

Auction
Monday, November 21, 7 pm

Public Preview
Friday, November 18, 12 – 5 pm
Saturday, November 19, 11 – 5 pm
Sunday, November 20, 11 am – 5 pm
Monday, November 21, 10 am - noon

About Waddington’s
Waddington's is the Canada's most diversified provider of auction and appraisal services.  Waddington's offers live and online auctions of fine art and collectibles across a broad spectrum of markets, including Asian, Canadian, Inuit and First Nations, International and Contemporary art, as well as Decorative Arts, Jewellery and Fine Wine & Spirits.  

Waddington’s Fall 2016 Auction Season includes:
Inuit Art – November 22, 2016
Asian Art – November 28, 2016
Fine Jewellery – November 29, 2016
Decorative Arts – December 5, 2016
International Art – December 6, 2016

For more information on Waddington’s visit: www.waddingtons.ca

For Media Information
Tess McLean
Tel: 416.504.9100
Cell: 647.296.8377
Email: tm@waddingtons.ca

Posted: 11/17/2016 9:00:00 AM
By: Tess McLean


FINE WINE BLOG NOVEMBER 2016


The November auctions feature a cornucopia of treasures for Fine Wine and Spirits lovers that are sure to please every palette and budget. With over 500 lots of wine and 133 lots of fine spirits, this may be our most diverse offering to date as we complete our first full year of Fine Wine auctions at Waddington’s. All the great names in Bordeaux, California, the Rhone, Champagne, Italy, Spain, California, Port and Australia are beautifully represented.

As we approach our anniversary, we wanted to share some things we've learned from our clients. First of all, the vast majority prefer our online format to the live auctions as it offers the time and leisure to peruse the catalogues closely in the comfort of home or office or on your mobile device. We also offer a printed catalogue for those who have purchased in the past, to make notes and study, away from the screen of your computer. If you would like to receive one in the future, please send us a note and we will be happy to oblige. Please note however, the online gallery is usually available at least a week before the printed version.

Secondly, there is a hard core who love coming to a live sale - and to that end we will be hosting a live auction on February 25 at Note Bene in Toronto. More details will follow shortly along with a beautiful luncheon menu prepared by star chef David Lee. Reservations are required for the luncheon, but the auction will be open to the public.

As usual we wanted to share some highlights of this November's auction.

Lots 67 through 107; Italian magic featuring case and half-case verticals of Super Tuscans and rare gems.

Lots 244, 245, 246 are full case lots of the 100 point rated 2009 Chateau Leoville Poyferre, a veritable trove of greatness.

Lots 358 through 398 features an array of hard-to-find cult California Cabs and Pinot Noirs.

Lots 496 through 507. If size is your thing, please have a look at the large format bottles perfect for a winter feast, or maybe just lunch!

If you are having difficulty finding a particular wine please use the wine searcher tool we have custom-developed that will make it easy to find any producer, vintage or format in the auction. winesearch.waddingtons.ca

We welcome your comments and suggestions at any time. Please visit finewine.waddingtons.ca for our full 2017 auction dates and deadlines for consignment.

Wishing you good luck in your bidding as well as lots of vinous pleasure for the Holiday Season.

To bid in the current fine wine and spirits auction please visit onlineauctions.waddingtons.ca

Posted: 11/17/2016 12:00:00 AM
By: Stephen Ranger


Fall 2016 Inuit Art Auction - Catalogue Available Online


This November 22nd, Waddington’s will hold our bi-annual live auction of Inuit Art including First Nations artwork.

On view at our 275 King Street Toronto location November 18 - 21, the auction encompasses 200 works of sculpture and graphics, including six major collections, among the most notable, the never-seen-before collection of published poet and scholar Dr. Francis Sparshott; as well as the collection of Peter J. Landry which was exhibited at the Art Gallery of Windsor and whose exhibition catalogue is the primary resource on the art of Sugluk / Salluit.

The auction is also comprised of individual works entrusted to Waddington's by important artists such as our feature sculpture by Karoo Ashevak which graces the fold-out cover of the catalogue.

View the Auction Gallery

View the PDF Catalogue

View the Catalogue Essays PDF

Catalogue Orders:
Lynda Macpherson
416.847.6190
lm@waddingtons.ca

For more information:
Christa Ouimet
416.847.6184
co@waddingtons.ca

Posted: 10/27/2016 9:00:00 AM
By: Christa Ouimet


Shades of Grey: Prints & Photography Auction


Shades of Grey brings together the very best prints and photography under the harmonized palette of the black-and-white, significant “must haves” to complement any collection. This specially-curated auction features highly sought after works by major masters of both mediums from 19th century legends to today’s avant-garde contemporary artists.

Shades of Grey as a theme celebrates the finest monochromatic prints and photography, covering a range of notable styles from the abstract art of Dame Barbara Hepworth (lot 12) to the architecturally inspired contemporary photography of James Nizam (lot 27) – a selection, exclusively chosen for this sale.

The leading lot in the auction is David Bailey’s coveted Box of Pin-Ups – a rare, complete collection of 36 photographs dating from 1965 (lot 1). This portfolio is a seminal photographic treatise celebrating the cult of celebrity and fashion. This portrait ensemble features superstar icons such as Mick Jagger, John Lennon, Michael Caine and David Hockney among others. Exceptionally complete portfolios such as this are scarce and we’re very excited about presenting this to the market.

Two other key lots by trailblazing artists from both the printmaking and photography world include Sybil Andrews’s Canon (sic) Street – Railway Bridge (lot 20) and Helmut Newton’s Portrait of Violetta (lot 23). A pioneering force in the art of printmaking, Canon (sic) Street is one of Andrews’s earliest etchings. In this work dating from her early career, Andrews explores a fascination with the modern transport age, a theme that was to become iconic of the artist’s career as a whole. Helmut Newton’s photography revolutionized the intimacy of the female nude and beauty and Portrait of Violetta was produced at the height of his fame. To this day, Newton’s photographs from this seminal period remain highly sought after by collectors.

Other notable highlights include graphics by iconic modern masters such as Pablo Picasso, Henry Moore and Joan Miro; whose legendary individualistic styles are captured in these prints.

Shades of Grey offers something for every collector. Our auction contains fascinating and groundbreaking artwork by well-known artists at affordable price points all brought together by the enigmatic palette of the monochromatic, grisaille and black-and-white.

Register and bid here


Posted: 10/26/2016 9:00:00 AM
By: Tess McLean


Concrete Contemporary Blog Fall 2016


This fall we continue our partnership with New York-based Artsy to present over 60 works in an online auction featuring the very best of Canadian Contemporary Art.

Stunning works by painters John Hartman, Michael Adamson, David Urban, Kim Dorland, Ron Martin, Nicole Katsuras, Stephen Appleby-Barr, Joe Fleming, Tom Hopkins and Shelley Adler among many others are offered alongside photo and conceptual masters such as Ian Wallace, Iain Baxter&, Edward Burtynsky and Barbara Astman.

This is certainly one of our strongest offerings yet and our partnership with Artsy allows for tremendous international exposure, one of the founding precepts of Concrete Contemporary. Bidding is online only through the Artsy auction site but the previews will be held live in Waddington’s gallery October 27 through November 3 with special weekend hours coinciding with Art Toronto.

In other news, we are delighted to be involved in a number of important charitable events this fall including the 23rd Casey House Art with Heart auction, the Look2016 auction for Contemporary Calgary and the very special Buy Art Not Kids auction on November 1 that will raise funds to support the fight against human trafficking in Canada and in Cambodia. If you would like more information on these events, please visit the links below.

www.artwithheart.ca

www.buyartnotkids.com

www.contemporarycalgary.com

If you are unable to attend our previews for the Concrete Contemporary auction but would like to see or discuss any of the works on offer, please do not hesitate to contact us.

We really look forward to seeing you in the gallery this fall.

Posted: 10/17/2016 9:00:00 AM
By: Stephen Ranger


Highlights of our Fall 2016 Inuit Art Auctions


Please enjoy this selection of highlights from our upcoming Fall 2016 live auction of Inuit Art which includes major sculptural works by Ennutsiak, Karoo Ashevak and Niviaxie as well as an impressive collection of Salluit and Cape Dorset sculpture from the early 1950’s.

Please also note our upcoming online auction of Inuit Art November 17 - 24.

For more information contact Christa Ouimet at co@waddingtons.ca


NIVIAXIE (1909-1959), E7-1077, CAPE DORSET RECLINED POLAR BEAR CUB EATING SEAL stone, c. 1957 3.25" x 5" x 8" — 8.3 x 12.7 x 20.3 cm. Provenance: The Peter J. Landry Collection of Inuit Art, U.S.A.
Estimate: $700—1,000
JUDAS ULLULAQ (1937-1999), E4-342, GJOA HAVEN/UQSUQTUUQ HAPPY FISHERMAN stone, bone, sinew, antler, musk ox horn, c. 1987, signed in syllabics 16.5" x 12" x 7" — 41.9 x 30.5 x 17.8 cm. Provenance: Acquired directly from the artist by the consigner in 1987.
Estimate: $7,000—10,000
MATUSI UNGNAITOOK (1905-1961), SUGLUK / SALLUIT MAN AND BEAR stone, c. 1956 9" x 8" x 4" — 22.9 x 20.3 x 10.2 cm. Exhibited: Sugluk: Sculpture in Stone, 1953-1959, exh. cat., Art Gallery of Windsor, (Windsor, ON), 1992, illustrated p. 37 and on the catalogue cover, cat. no. 8 This work is accompanied by the Art Gallery of Windsor hand written exhibition label.
Estimate: $2,500—3,500






KAROO ASHEVAK (1940-1974), E4-196, SPENCE BAY / TALOYOAK SPIRITS whalebone, signed in syllabics 14" x 19" x 6" — 35.6 x 48.3 x 15.2 cm. Provenance: Acquired directly from the artist by a gallery owner, Yellowknife, By descent to present owner, British Columbia
Estimate: $35,000—45,000
ENNUTSIAK (1896-1967), E7-603, IQALUIT MIDWIVES WITH BABY stone, c. 1958 4.5" x 7.75" x 6" — 11.4 x 19.7 x 15.2 cm. Provenance: The Hon. W. Dan Chilcott, Q.C. Collection, Ottawa
Estimate: $8,000—12,000
UNIDENTIFIED, CAPE DORSET / KINNGAIT YOUNG WOMAN HOLDING A CHILD stone, c. 1955 5.25" x 2.5" x 3.5" — 13.3 x 6.4 x 8.9 cm. Provenance: The Peter J. Landry Collection of Inuit Art, U.S.A. Note: This is an exquisite work that could have been carved by any of the masters of the Qikiqtaalik region.
Estimate: $600—900
Posted: 8/30/2016 9:00:00 AM
By: Christa Ouimet


Concrete Contemporary Art Auctions


One of the biggest perks of working at Waddington's is getting to see the remarkable examples of Canadian contemporary art that come through our doors. The moments when we see a work of art that makes us stop in our tracks and say, “Wow!”...well, let's just say that's what makes the everyday workload suddenly become lighter. And then we get to share our enthusiasm with our clients during the auction previews and feel that rush all over again when we discuss the stories that each work of art we offer holds within it: the who, what, when, where, why and how of the work and of its maker. That’s when art becomes part of our stories.

But before we can have these shared experiences, the art must be assembled. Our fall auction is shaping up wonderfully with consignments of artwork by Canada's leading contemporary artists such as Kim Dorland, Edward Burtynsky, David Urban, Stephen Appleby-Barr and many others, but there is room for much more. If you or someone you know is considering a consignment of Canadian contemporary art, please let us know. We can provide complimentary and confidential assessment of its auction value.

To continue broadening our reach to new audiences, we are pleased to announce that all lots offered in November’s auction will be held in conjunction with Artsy.net.

This past April, Concrete Contemporary Auctions and Projects introduced an exciting partnership with Artsy, one of the world’s leading resources for art education and collectors of fine art. With nearly half a million subscribers, Waddington's consignors benefited from Artsy's global reach and when combined with our ever-growing following of contemporary art collectors, it was a perfect match with nearly all works offered through this collaboration selling on auction day. We anticipate continued growth and success working with Artsy on this and future auctions.

Auction: October 27–November 3

Auction Preview: 27 October – 3 November
Weekday hours: 9-5; Weekend hours 11-5

(exhibited with “Shades of Grey” Prints and Photography Auction)


Posted: 8/25/2016 12:00:00 AM
By: Kristin Vance


Fine Wine & Spirits Autumn 2016


While the sunshine is reminiscent of summer, days are getting shorter as collectors’ thoughts turn to sipping some of their favourites in the cooler days ahead. Our concurrent November 14-22 Fine Wine and Fine Spirits auctions will be sure to satisfy.

Following a busy season of harvesting and gathering, when we bring together all the artwork, objects and everything else for our fall auction season, our fall appears to be a season of plenty. With our successful September 12-20 fine wine auction and our November 14-22 sale, we will be offering over 1000 lots this November. The quality of the offerings is outstanding, anchored by three major cellars from Toronto, Mississauga and Prince Edward County.

One of the many truisms I have found in the wine world is that a wine often never tastes better than right where it was made, in the cave or tasting room of the producer. One of my favourite memories was a trip I made through the Southern Rhone Valley one summer many years ago. The mistral was fierce, blowing through the valley with a force that left my ears ringing, but the wines in villages like Rasteau, Gigondas, Vacqueyras, Orange and Chateauneuf du Pape matched with the local Provençal cuisine were simply outstanding and a respite from the wind. Sampling them with their producers, salt of the earth farming families, was truly magical and remains an important moment in my personal pursuit of great wine experiences.

I came across an article in Wine-Searcher that helps explain Burgundy labels to novices. Here’s the link:

www.wine-searcher.com



Posted: 7/4/2016 12:00:00 AM
By: Stephen Ranger


Fall 2016 Prints & Photography Auctions


At Waddington's we like to try new things and with this season's upcoming fall Prints & Photography auction series we are doing just that. Waddington's has been at the forefront of new initiatives within the auction house world and the wider art market ever since our foundation in 1850. With such deep seated roots, imbedded within our industry throughout Canada, and with a stellar reputation internationally, it is with great pride that we continually adapt and respond to the needs of the art collecting public.

As tastemakers and industry leaders in the arts, we feel a responsibility to constantly advance the art market and educate collectors by curating sales that pair fresh ideas with the highest quality art pieces, with a goal of developing engaging perspectives. We live for those "Aha" moments within our practice among our collector base, reigniting existing art passions or new discoveries that lead to a lifelong relationship with a particular movement, artist or medium...or all of the above!

Our fall Fine Prints & Photography auction programming carries this strong tradition of developing new ideas and innovative ways of thinking about engaging with progressive art that forms the very cultural fabric of daily lives.

Beginning with our Fine Prints & Photography Online Auction (October 1 — October 6, which will simultaneously be on view at our Toronto gallery), this sale will feature important lots, in both media from pop art icons, including Andy Warhol, Roy Lichtenstein, Ed Ruscha and Robert Indiana as well as European superstars: Henry Moore, Marc Chagall, Barbara Hepworth and Salvador Dalí, just to name a few. Equally attractive to seasoned collectors, who are looking to enhance their own collections by exploring different mediums, but also to budding buyers who seek to lay the foundation of their own art story with well-known artists of the blue-chip variety with affordable entry price points. You too can own works by artists who dominate the art market headlines and that form part of major institutional collections!

This will be followed by a new addition to our roster, Shades of Grey: Prints & Photography (also an online auction, running from October 27 — November 3 to be exhibited at our Toronto gallery space), a specially curated auction that celebrates the tantalizing qualities of vibrant contrasts, exhibited by the vivacious tonalities of black and white.

This sale will bring together important works of black and white photography alongside monochromatic prints, with a particular focus on modern and contemporary art movements.

Taking cues from the blockbuster literary works and film that have made Shades of Grey a catch phrase — this auction will also explore the intimacy of our connection to art, that stimulates our many senses, beyond the purely visual means. While also delving into the bond these palettes share and the power being expressed in these works of art.

Remaining at the forefront of our craft and due to the global demands of our consigning and buying public, it is only natural that these sales take place on our highly successful online auction platform. Best suited for today's international collector with around the clock bidding accessible from Saskatoon to Shanghai!

Don’t miss the opportunity to check out what we have in store with a small teaser of works that will be up for auction by clicking the links below to our preview galleries:
internationalart.waddingtons.ca

We look forward to seeing you this fall season!

For Consignment information, please contact:
Holly Mazar-Fox
416.847.6167
hmf@waddingtons.ca

Posted: 6/29/2016 12:00:00 AM
By: Holly Mazar-Fox


Small Art / Big Hearts Benefit Auction
June 24 – 28, 2016


Small Art / Big Hearts Benefit Auction
June 24 – 28, 2016

A pop-up contemporary art auction to benefit LGBT communities in Orlando and Toronto.

When Toronto artist Mark Gleberzon approached us about his idea to raise money for the LGBT communities in Orlando and Toronto, our immediate reaction was: how can we help. The opportunity to be able to respond to a tragedy that has shaken us all in an immediate and meaningful way, made suggesting to host an online art auction a no-brainer.

The Small Art / Big Hearts benefit auction in support of LGBT communities in Orlando and Toronto has touched the heart of the generous arts community. Over 100 artists have committed to donating works to the auction as a result of Mark’s facebook posting last week.

Mark has been overwhelmed by the outpouring of generosity. “When I put out my first post of Facebook last Tuesday I said ‘emojis, memes and pictures of rainbow flags are only going to do so much.’ I felt something more vital needed to be done. So I put out a small call-out on Facebook to some of my artist-friends to donate art and it snowballed from there!"

The auction will feature small-scale artworks (acrylic, oil and encaustic paintings, mixed-media, photography, sculpture, jewellery and more) by Mark Gleberzon, Sharon Barr, Ian Busher, Rob Croxford, Laura Culic, Shelagh Young-Howard, Carol Westcott, James Fowler, Marjolyn van der Hart, Julie Himel, Cindy Scaife and many more. The online gallery will be launched as quickly as we can photograph and catalogue all the art! Our thanks and appreciation to our staff and the many, many people who are donating their time and talent to this cause.

Follow us on social media as the auction comes together. #SmallArtBigHearts

Dates and Times
Online Auction to be held:
June 24-28, 2016

On View:
Thursday 23 June 2016 from 10:00 am to 5:00 pm
Friday 24 June 2016 from 10:00 am to 1:00 pm

Auction Details
Over 100 works including paintings, photograpy, prints, jewellery, etc., donated by GTA-based artists
No buyer’s premium
100% of proceeds will be donated
Proceeds go towards selected Orlando and Toronto-based LGBT organizations

About Mark Gleberzon
Mark is an OCADU Honours graduate & professional artist. He has a long history of showing his multi-media work in shows and galleries throughout Canada and the U.S., France & Japan. His paintings can be found on every continent and have been featured in design & decor magazines, have appeared on TV and has been highlighted in online blogs.

A fearless artist and promoter of artists, Mark is indefatigable in his work and energy within the Toronto art scene.

Duncan McLean
President, Waddington's
Posted: 6/21/2016 12:00:00 AM
By: Tess McLean


Leading Off Our Spring 2016 Auction Season:
The Art of Canada


What better way to launch our Spring 2016 auction season than with our inaugural Art of Canada Auction on May 30. Leading off our series of seven auctions representing art and collectibles from around the world, it seems fitting to start at home. And what a rich foundation we have to draw from. The Art of Canada skillfully presents the diversity of artistic production by some of the country's best artists. A sweeping representation of artists and themes, the collection visits Kurelek’s prairies, Frank Hans Johnston’s Algoma Waterfalls, Banff Alberta from the perspective of Takao Tanabe, life in the Arctic as depicted in Josephie Pootoogook’s Joyfully I See Ten Caribou, and simple family pleasures in Ennutsiak’s sculpture of mealtime. Definitively Canadian, the collection includes works from the Group of Seven, Painters Eleven, contemporary Canadian artists, and the remarkable creative expression of leading Inuit and First Nations artists.

You’ll have noticed that we’ve been bringing all forms of Canadian art closer together in recent years in the belief that our clients are as passionate as we are about the art created within our borders. Waddington’s role in the ‘Canadian’ art market stretches back several remarkable decades – back to 1978 for our first auction of Inuit art, and further back to 1967 to our first auction dedicated to Canadian fine art. We have loved watching the work of so many Canadian artists gain popularity and respect here at home and around the world.

Other highlights of our May 30 Art of Canada Auction include Joyce Wieland’s Dancers, a celebration of lightness, boundless freedom and ultimately ecstasy (Lot 18); Jean Albert McEwen’s powerful Blason du Chevalier Rouge (Lot 29); Haida Gwaii artist Rufus Moody’s exquisite Lidded Box in argelite and abalone shell (Lot 35); Bison Foraging in Winter by Frederick Arthur Verner, (Lot 39); and Cape Dorset artist Kiawak Ashoona’s stone sculpture Bird Spirit (Lot 51).

Talking about art around the world, the second auction of the season is our Asian Art Auction on June 13. Featuring over 350 lots, the auction includes exceptional artifacts from jade to textiles; rare, museum-grade Japanese prints; several important pieces from the collection of Robert Stephenson including a massive Thai, Chien Seng or Sukhothai style bronze figure of Buddha Sakyamuni, 15/16th century (Lot 54); and select scrolls from an American collection. Of additional interest is a rare, large Imari ‘Dragon and Phoenic' Charger, Meiki Period late 19th century (Lot 42); and a rare pair of Cloisonné Zebras, Late Qing Dynasty, estimated at $20,000—30,000 (Lot 74).

Lot 54. A THAI, CHIEN SENG OR SUKHOTHAI STYLE, MASSIVE BRONZE FIGURE OF BUDDHA SAKYAMUNI, 15TH/16TH CENTURY
Est. $20,000—30,000
Lot 43. CARTIER PASHA DAY/DATE WRISTWATCH
Est. $10,000—14,000


Jewellery takes centre stage on June 14 with 120 lots of beautiful works from 18th century Flemish, 19th century Etruscan and contemporary rings, necklaces, watches and much more. Shining brightly are lots 43 – a beautiful Cartier Pasha Day/Date Wristwatch, with moonphase display and second time zone; circa 2000 in an 18k yellow gold case with display back and sapphire crown covers; with an 18k yellow gold strap and deployant buckle, estimated at $10,000—14,000; Lot 45 – a 18K white gold cocktail ring set with a fine, large oval cut tanzanite (approx. 24.0ct.) encircled by 102 brilliant cut diamonds (approx. 3.20ct.t.w.), estimated at $12,000—16,000; and Lot 97 – a stunning platinum ring set with a marquis cut diamond (approx. 7.70ct.) flanked by two trilliant cut diamonds (approx. 0.65ct. each), estimated at $60,000—80,000.

Our International Art Auction combined with Decorative Arts follows on June 20. The International Art portion includes three important oil paintings by American painter and illustrator Philip Russell Goodwin (1882-1935) who specialized in depictions of wildlife, the outdoors, fishing, hunting and the Old American West, never before on the market; a watercolour by British artist Sir William Russell Flint, Court of the Listening Busts, Richelieu, and a majestic ship portrait by renowned British Maritime artist, Montague Dawson. In the Decorative Arts section of the June 20 auction, we are pleased to offer a Barr, Flight & Barr Worcester Japan Pattern Service, c.1807-13; a set of four George II Silver Table Candlesticks, John Cafe, London, 1756; and a Glass Bird Sculpture ‘Pulcino’ by Alessandro Pianon, c.1960.

Lot 45. PHILIP RUSSELL GOODWIN (1882-1935), AMERICAN THRILLING MOMENTS (ALSO CALLED “LUCK FOR TWO”), CIRCA 1930
Est. $100,000—150,000
VISTOSI ‘PULCINO’ GLASS BIRD SCULPTURE, ALESSANDRO PIANON, C.1960
Est. $2,500—3,500


FRENCH CARVED IVORY RENAISSANCE STYLE FIGURAL CHESS SET, 19TH CENTURY
Est. $20,000—30,000

More Decorative Arts highlights include a French Carved Ivory Renaissance Style Figural Chess Set, 19th century, modelled as Europe vs. the Ottoman Empire with kings, queens, bishops and knights on rearing steeds, rooks as foot soldiers with pole arms on turrets and pawns as foot soldiers, with halberds or bow and quivers; a pair of Maps of Canada, Jacques Nicolas Bellin, 1755 ‘Partie Occidentale de la Nouvelle France ou du Canada and Partie Orientale de la Nouvelle France ou du Canada, considered to be among the most important early maps of Canada; and finally, a Canadian Regency Rosewood Bracket Clock, George Savage, c.1830.


Spring may have come late this year but we’ll be making up for that with a profusion of amazing auctions for your enjoyment. Find out more about our 2016 Spring Auction Season www.waddingtons.ca



Posted: 5/26/2016 9:00:00 AM
By: Duncan McLean


The Art of Canada Auction


The art of Canada originated with objects created by our indigenous peoples. Whether fabricated for practical or ritualistic purposes, or as a creative record of their history and culture, collectors in Canada and throughout the world have long been fascinated by these objects. Waddington’s has deep expertise in this collecting area dating back to the first Inuit art auction conducted by our firm in 1978.

We have ruminated for some time now on the possibility of a less restricted interpretation of Canadian art which might leverage our expertise in this area to unite the best examples of indigenous art production with the type of work that, traditionally, has been offered in our Canadian Art major catalogue sales.

We know that the best collectors in this country have always been receptive to an inclusive view of our cultural and artistic heritage. They have long understood that the narrative of Canadian art is artificially limited when we construct silos that separate the artists of this country by ethnicity. While such labels may be convenient, by creating them we inadvertently shortchange our aesthetic experiences and limit our openness to those objects which fall outside the familiar collecting parameters and patterns we may establish for ourselves.

And so this season we are proud to present a unique combination of works created by artistic masters representing The Art of Canada. The scope of works offered this season has been expanded to encompass a selection of quality works by Inuit and First Nations artists as well as Canadian historical, modern and contemporary artists.

The catalogue is intended to awaken and delight your senses and expand your collecting imagination. We hope you find yourself fascinated by objects you might never have considered before.

Enjoy!

Auction Gallery

Linda Rodeck
Senior Canadian Fine Art Specialist
Vice President Fine Art

Christa Ouimet
Senior Inuit Art Specialist





Posted: 5/17/2016 9:00:00 AM
By: Linda Rodeck


Asian Art Spring Auction


It has been another busy season for Waddington’s Asian art department, and we are delighted to present our spring auction offerings for your consideration. The catalogue includes some exceptional pieces from notable private collections, and from exciting new consignors. We are very privileged to include the Collection of Harold Gordon Groves (lots 85-120), which is an outstanding example of one’s lifelong dedication to passionate collecting. Another important private collection, acquired mainly from Sotheby’s and Christie’s, London, during the 1970s through to the 1990s (lots 243-273), also features some exceptional artifacts – from jade to textiles. We are also offering rare, museum grade Japanese prints. These include Hiroshige’s In the Grounds of the Tenjin Shrine at Kameido (lot 12) and Shiko Munakata’s Hawk Woman (lot 26).

With more than 350 extraordinary lots, it is always challenging to select the covers. We are proud to present a massive 18th/19th century blue and white Ming-style dish (lot 180) as the front cover of our spring catalogue. The Ming dynasty “heaped and piled” decoration of cobalt blue has been considered the zenith of porcelain firing, and we are privileged to be entrusted with this fine example from a renowned Vancouver collection. The back cover is a very rare album of a bodhi leaf sutra (lot 343). Originally purchased in from the prestigious London dealer J. Nachemsohn in 1929, this piece was passed by descent and is in excellent condition.

We are also honoured to be entrusted with several exceptional pieces from the Collection of Robert Stephenson (lots 49-56), including his prized massive Thai bronze Buddha (lot 54). This finely cast piece has great presence, and we rarely see such pieces outside of a museum collection. Finally, we are very pleased to be featuring select scrolls from an American painting collection (lots 195-203). A decorated naval commander, James C. Taylor was stationed in Asia for much of his career, and he became captivated by Chinese scroll paintings. His collection was passed by descent to his grandson, Robert U. Taylor, who has also become a fervent collector.

We have strived to cultivate a diverse catalogue this season, while always maintaining our rigorous standards for quality and rarity. It has been a privilege assembling this auction, and a true pleasure to work with numerous fine examples of Asian culture from our valued clients. Our heartfelt thanks to all our consignors, buyers and consultants for your continued support.

View the Auction Gallery

Posted: 5/17/2016 12:00:00 AM
By: Chih En Chen


The Art of Canada Auction


Waddington’s is pleased to present our inaugural Art of Canada Auction. This important event combines the finest historical, modern and contemporary Canadian art with top works from Inuit and Northwest Coast artists.

From our Indigenous offering we are particularly excited to share with you eleven prints from the 1959 Cape Dorset Print Collection, including Tudlik’s Division of Meat and Josephie Pootoogook’s Joyfully I See Ten Caribou. Headlining our Northwest Coast offering this season is a stunning carved argillite box with inlaid abalone shell by Rufus Moody. The Art of Canada Auction also features classic period works from various Arctic Quebec settlements such as a miniature version of Joe Talirunili’s famous Migration sculpture.

The online session of our spring auction features our popular offering of Small Wonders, often imitated but never duplicated, they are a select group of miniature works that we sprinkled throughout the session for your viewing pleasure. We have fine sculpture by esteemed artists George Tataniq, Barnabus Arnasungaaq and Kaka Ashoona and early prints from the likes of Parr, Sakiassie and Kenojuak. Also on offer during this session is an exquisite collection of woven Salish baskets along with a rare sketchbook of drawings by Mary Ayaq.

We look forward to seeing you during one or more of the viewing times below.

Friday 27 May 2016
12 Noon to 5 pm

Saturday 28 May 2016
11 am to 5 pm

Sunday 29 May 2016
11 am to 5 pm

Monday 30 May 2016
10 am to 12 Noon


Auction Gallery


JOE TALIRUNILI,
POVUNGNITUK/
PUVIRNITUQ
MIGRATION
RUFUS MOODY, C.M., QUEEN CHARLOTTE ISLANDS/HAIDA GWAII LIDDED BOX, ALL FOUR SIDES RELIEF CARVED WITH FROG IMAGERY & INSET DETAIL, THE FEET OF THE VESSEL CARVED AS INDIVIDUAL FROGS ALSO WITH INSET EYES
JOSEPHIE POOTOOGOOK, CAPE DORSET/KINNGAIT JOYFULLY I SEE TEN CARIBOU
TUDLIK, CAPE DORSET/KINNGAIT DIVISION OF MEAT






























DAVIDIALUK ALASUA AMITTU, POVUNGNITUK/PUVIRNITUQ ALIGHTING OWL
BERNADETTE IGUPTARK TONGELIK, REPULSE BAY/NAUJAAT SEATED WOMAN WITH PLAITED HAIR
JUDAS ULLULAQ, GJOA HAVEN/UQSUGTUUQ SQUAWKING BIRD









Posted: 5/13/2016 10:00:00 AM
By: Christa Ouimet


FINE WINE ONLINE AUCTION UPDATE MAY 2016


If there is a moment in your glorious long weekend when you find yourself alone in front of the computer dreaming of a great bottle of wine, make sure you check out what we have to offer in our online fine wine auction.

If the south of France is your thing, in particular the Southern Rhone Valley, then bliss will find you as the sale is spectacularly endowed with great wines from all the top producers of Chateauneuf du Pape. We have it layered in three sections of the auction, so to save you time scrolling through, here’s where to look: Lots 60-97, Lots 159-209, Lots 283-336.

All these gorgeous wines are from one splendid cellar from a collector obsessed with buying the best the region has to offer. Beaucastel, Rayas, Marcoux, Pegau,Vieux Telegraphe, Sabon, 100 point rated 2001 La Mordoree, they are all here. Many are in original wood cases or original carton, purchased on release from the LCBO or SAQ and perfectly cellared since. Check out the ratings on these beauties, most score in the mid to high 90’s and many are ready for current consumption.

So, now that we have at least some of your weekend sorted out, please plan on spending at least a little time out of doors!

When we were assembling the fine wines for our May online auction, one theme emerged above all others. This is a group of wines made for drinking. Yes, there are some collectible gems like the suberb Chambertins of Armand Rousseau and the case lots of Chateau de Beaucastel Homage a Jacques Perrin, yet the majority of wines in the auction represent great opportunities for wine collectors, afficianadoes and restaurateurs to buy great, and in some cases, legendary wines for current enjoyment.

The sale begins with an abundance of ready-to-drink Bordeaux in case quantities and is anchored by an exquisite southern Rhone valley cellar featuring an incredible array of Chateauneuf du Pape wines from legendary producers such as Clos St. Jean Deus Ex Machina, Beaucastel, Grand Veneur, Chateau Rayas and Domaine de Marcoux among others. There is also a very interesting collection of wines from a prominent Toronto chef’s collection, some lovely vintage Salon and a number of rare California cult wines in original wood. For those of you who enjoy purchasing mixed lots of Bordeaux, you will be delighted. For current drinkability, this auction ticks all the boxes!

We have made some changes as a result of feedback from our clients. The sale will run a full eight days from May 16-24 giving lots of additional time to bid and will begin closing at 6 pm as opposed to an afternoon closing. We have also included far more tasting notes and ratings than in the first online auction.

View the May 16-24, 2016 Fine Wine Online Auction Gallery

View the May 16-24, 2016 Fine Wine Online Auction Catalogue PDF

For those of you interested in consigning to future auctions, we have streamlined the valuation process in order to get information back to you much more quickly. We have two more auctions scheduled for this year. Mark your calendar with the following dates:

Fine Wine Online Auction
Fine Spirits Online Auction
September 12 - 20, 2016
Consignment Deadline: Friday 15 July 2016

Fine Wine Online Auction
November 14 - 22, 2016
Consignment Deadline: Friday 9 September 2016

We are planning some tasting and social events this fall and we certainly welcome your feedback anytime.

Posted: 5/5/2016 12:00:00 AM
By: Stephen Ranger


Keeping an Eye Open


We don't always get a lot of time for quiet contemplation here at Waddington's. The life of an auctioneer-appraiser is a hectic one and in order to assemble a sale of 182 lots we may have to look at well over 1,000 paintings, sculpture or prints.

Lately, some of us have carved out time to read "Keeping an Eye Open", Julian Barnes’ collection of essays on art, in anticipation of his visit to Toronto the day after our major spring auction. A passage in the introduction serves to remind us of the benefits of refreshing our art experiences by looking at a lot of different art and not just the things we think we know.

Mr. Barnes makes a lot of good observations. He suggests that over time we learn that there are some artists we grow out of, others we grow into; artists to whom we have had a lifelong indifference and others we might suddenly discover after years of unnoticing (his word, and a great one); artists for whom our response was a bit negligent and others whose hold over us is persistent.

This way of thinking about art has close ties to the thinking behind The Art of Canada sale this season which combines works that you would traditionally expect in the Canadian Art Department's major catalogue sale together with exceptional works entrusted to our Inuit Art Department.

We welcome change and we like contrast and juxtaposition. We like to move pictures around in our homes to revive our experiences with them. We hope this sale brings you a similar enriched experience by awakening your senses. Please join us for our public preview leading up to the auction or contact us directly to arrange a private viewing. Mark May 30th in your calendar for Waddington's The Art of Canada spring catalogue auction.

We look forward to welcoming you once again to Waddington's!

Auction Gallery

Posted: 5/2/2016 2:00:00 PM
By: Linda Rodeck


Who Needs an Appraisal? At Some Point - Everyone Does.


There are so many reasons our clients contact us. Of course, we provide excellent auction services, but we are also a very busy provider of appraisals. Often a major life event can necessitate a variety of our services.

The majority of our contacts are from folks who aren’t quite sure what they need. It’s an interesting conversation to have, figuring out where they are in life, what has prompted the call, and how we can best help. In the past year we have performed appraisals for every imaginable reason – estates, moving, insurance coverage, family division, separation, charitable donation, and of course market value for auction.

Our roster of specialists, as well as the capability of producing a document that is up to ISA and USPAP standards, make it possible to produce accurate and informed documents for nearly any type of treasured artwork or piece of decorative art. Putting together an appraisal which determines value or estimates cost, is something I really enjoy doing. It’s always like being presented with a new puzzle to solve.

Sometimes it’s not immediately possible to find the perfect comparable, and that’s when you put on your thinking cap. The most recent example of this is a painting by Sir Frederick Banting that I was asked to appraise. In order to determine fair market value, which the CRA accepts as, "The highest price, expressed in terms of money, that the property would bring in an open and unrestricted market between a willing buyer and a wiling seller who are knowledgeable, informed, and prudent, and who are acting independently of each other", I would typically search for Banting paintings from the same time period, of the same size, medium, and subject. Well that just didn’t exist. Here is what I had to work with:

It’s a lovely piece, signed titled and dated ‘Fort Resolution, 1928’ on the back. The verso also had a forest landscape sketch – would that add to the value of painting? (No, not significantly) After some research, I was able to confirm that Banting had indeed travelled to Fort Resolution, NWT in 1928 with his frequent painter companion A. Y. Jackson, however another oil on panel from this trip hasn’t ever been sold publicly and therefore there wasn’t a ‘perfect’ comparable. I found many paintings of similar age, size, and composition by Banting but they were all Ontario and Quebec village scenes. A. Y. Jackson, though, has secondary market transactions recorded of many scenes painted during trips to NWT in this period, so I decided to see if the fair market value of an oil on panel of this size by A. Y. Jackson was effected very greatly by the location depicted in the scene. My conclusion was that it really did not affect the fair market value to a great degree, so I confidently compared other Banting village scenes in order to determine the fair market value of his ‘Fort Resolution, 1928’ creation.

As luck would have it, the painting was subsequently consigned to our live auction of Canadian Fine Art. It will be interesting to see how all of my conclusions fare.

If you’d like to chat about an appraisal, please contact us and ask for our Appraisal department – we’re happy to help!

Posted: 4/14/2016 12:00:00 AM
By: Ellie Muir


Invitation to Consign


Waddington's is currently accepting consignments for our forthcoming live auction of Important Inuit Art to be held in May 2016. We are also accepting consignments for our popular online Inuit Art auctions. MEET WITH A SPECIALIST Our specialists are travelling this season in search of consignments. Contact us to find out if we'll be in your area. OBTAIN AN ESTIMATE Our specialists routinely view images and provide advice on saleability and value. Connect with us via email to find out more about your artwork. Waddington's has been the site of market milestones for almost 40 years. Our consigners have the advantage of offering their collections to Waddington’s cultivated network of buyers. When you choose to work with us, you gain the benefit of both domestic and international exposure through our reputation as the leading authority on the Inuit Art market. With a combination of personalized service and creative marketing, we do our utmost to ensure the maximum value for your collection. We invite you to work with us on the successful sale of your collection. To book a consultation, please contact: Christa Ouimet Inuit Art Specialist 416.847.6184 co@waddingtons.ca View our 2015 auction results Past Inuit Art auction highlights

Posted: 3/18/2016 12:00:00 AM
By: Christa Ouimet


CONCRETE BLOG MARCH 2016


This spring Concrete Contemporary puts forward an ambitious and important offering of over 150 works in both our online and live auctions from private collections across the country. We hope our online galleries will whet your appetite and we invite you to attend our extended preview at our Toronto, King Street East gallery.

The March 11-17 online auction features 77 works, accessibly priced, created by an array of extremely important contemporary Canadian artists. Many works are small in scale and are aimed at the emerging collectors market. Bid on a small work by Kim Dorland or a beautiful photograph by Max Dean or Lynne Cohen for under $3000. It’s a great opportunity to add blue chip art to a budding collection. We are especially pleased to be offering a number of works in support of the Scotiabank Contact Festival again this season.

For our live auction on April 11, we have partnered with New York based Artsy, who will feature approximately 15 lots for online bidding prior to the live auction on the evening of April 11. Log on to artsy.net for full information on how to bid or contact Kristin Vance or myself directly for assistance.

The live auction is again a panoramic snapshot of the best in contemporary Canadian art. There are many notable works, but we are particularly proud to be offering two major canvases by Wanda Koop from the Estate of James Bisback, wonderfully divergent takes on landscape by Kim Dorland and Steve Driscoll; monumental photo-based works by Ed Burtynsky, Arnold Zageris, Michael Awad and April Hickox; and video installation and photography from Adad Hannah. The list is impressive, speaking to the breadth and talent of contemporary Canadian art.

We look forward to welcoming you to the gallery for the auction and previews. Please mark Sunday, April 10 at 2 pm in your calendars for a special preview event at 275 King Street East featuring a number of special guests and refreshments.



Posted: 3/10/2016 12:00:00 AM
By: Stephen Ranger


Fine Wine Auction February 27, 2016


Bringing Back Wine Auctions to Ontario!

Our inaugural live fine wine auction will be sure to please fine wine and spirits enthusiasts. Conducted at our Toronto gallery we’re excited to offer 437 lots of fine wine, featuring:

Domaine Armand Rousseau Chambertin 2010 Grand Cru (2 bts/lot);
Château Pétrus 2008 in original wooden case (6 bts/lot);
Jacques Prieur Musigny 2005 (3 bts/lot);
Comte Georges de Vogüé 2006 in original wooden case (6 bts/lot);
Château Rayas 2007 (6 bts/lot);
Screaming Eagle Cabernet Sauvignon 2009 in original wooden case (3 bts/lot).

The auction also includes multiple lots of rare Rhone wines from exceptional vintages and highly rated Grand Cru Burgundy.

Canada’s pre-eminent wine auctioneer and Waddington's Vice President Stephen Ranger is pleased that Waddington’s is able to assist Ontario fine wine and spirits collectors with their collections. Ranger notes, “Auctions are an excellent way to build a fine wine portfolio and provide an opportunity to buy wines that aren’t available through other channels Auctions are also a great way to help restaurants build world-class wine lists.”

Waddington’s was awarded the exclusive contract to provide fine wine and spirit auction services in Ontario under the authority of the LCBO, a first for an Ontario auction company. Waddington’s had conducted the LCBO’s Vintages Fine Wine and Spirits auctions from 2009 until 2013.

This auction begins at 10 am. Doors open at 9:30 am.

To find out more about this auction visit: finewine.waddingtons.ca


Posted: 2/26/2016 9:00:00 AM
By: Tess McLean


Good Spirits Are Always In Season...


Good spirits are always in season, especially in the post holiday depths of winter, so with that thought in mind, we welcome 2016 with two auctions. We begin with an online auction of Fine and Rare Spirits (February 22-25), followed by our rescheduled live auction of Fine Wine on Saturday, February 27.

Our historic Fine and Rare Spirits auction is led by lovingly tended collections of rare Scotch, Cognac and Bourbon including three (yes, three!) bottles of the super rare Pappy Van Winkle’s Family Reserve 20 Year Old Bourbon. This rare spirit seldom finds its way to the Great White North and will be sure to keep you warm through the winter. All three bottles are in impeccable condition.

The live Fine Wine auction features among other smaller offerings, two major Toronto area collections. The first features an almost comprehensive library of Southern Rhone wines, focused on the great wines of Chateauneuf-du-Pape. Multiple case lots, many in original wood, have all been perfectly stored and purchased directly from the LCBO. Due to the quantities in this collection, we will offer it in two parts, the second scheduled for our May online auction. The other featured collection is an outstanding Parker points topping group of wines from Bordeaux, Burgundy, Italy, California and Spain. Truly a connoisseur’s selection, expect to see producers such as Mouton Rothschild, Haut Brion, Margaux, Petrus, Armand Rousseau, Vogue, Dujac, single vineyard Guigal, Chave, Beaucastel, Rayas, Screaming Eagle, Scarecrow and Dominus among many other rare offerings.

As we continue to roll out the Fine Wine auction program, consignments are being considered for the next online auction in May 2016. Please contact either Stephen Ranger or me directly for more information. The live sale will begin at 10 am on Saturday, February 27. Refreshments will be served throughout the day and we look forward to seeing you in the saleroom at 275 King Street East as we begin 2016 in high (and fine) spirits!

Posted: 1/12/2016 12:00:00 AM
By: Ryan Corrigan


Pre-Columbian Art and Artefacts Online Auction


Comprising Pre-Columbian and modern Central and South American ceramics, sculpture and textile work, this collection showcases art and artefacts from a broad range of ancient and contemporary cultures. Many of the objects are from the well-known collections of Alan Lapiner, Nathan Cummings, Bruno J. Wasserman-San Blas and Nelson A. Rockefeller, and have been included in exhibitions at the Metropolitan Museum of Art and related publications.

The auction includes three excellent Mochica stirrup spout vessels, products of a culture which flourished in northern Peru between 100 B.C. and 800 A.D.. These ceremonial vessels, painted with scenes from nature and stylized figures, provide fascinating insight into the religious and social lives of the Mochica people. Centuries later, the Chimu culture developed in the same region of Peru and continued to produce similar vessels. Included in this sale are examples of their black and grey wares, produced in large quantities between 1000 A.D. and 1400 A.D., that demonstrate how technological developments in ceramic production and artistic ideas were passed from one culture to another.

One of the most impressive pieces in this online auction is the Mayan Polychromed Cylinder Pot, late Classic Period, 600-800 A.D.. The painted surface demonstrates the high level of skill that Mayan artists possessed, and its elaborate detail suggests that it may have been a funerary offering for an elite member of Mayan society. The relationship between life and death was of ongoing importance in the visual arts of ancient Mesoamerica. The Nayarit figures from Mexico depicting a diseased male and a female in birthing position likewise illustrate an interest in the cycle of life. Like the Mayan Cylinder Pot, these objects were recovered from burial sites, and thus belong to a long tradition of funerary art in Central and South America.

The collection also contains many stone pieces, an essential material used for both utilitarian objects such as axe heads and grinding stones, but also in fine art, exemplified in the Standing Male Figure and Jaguar Form Metate from the Guanacaste Nicoya Peninsula, 800-1200 A.D.. Other tools such as whorls and loom posts reveal less about the complexities of social life, but nonetheless broaden our understanding of everyday activities in the ancient world such as textile production.

Moreover, the 20th-century objects in this collection are unique, essentially blurring the boundaries between past and present. Modern indigenous Peruvians have recreated the decorative arts of their ancestors, creating Chancay type fabric dolls with textile fragments recovered from ancient tombs while modern Shipibo potters draw artistic inspiration from Pre-Columbian vessels. The collection as a whole represents the diversity of Pre-Columbian art, and includes both typical and unusual works from a range of cultures, time periods and geographical areas. Waddington's is pleased to offer these objects in a timed online auction through Invaluable.com ending February 4, 2016.


Posted: 1/11/2016 12:00:00 AM
By: Sarah Carter


New Record Price for Canadian Silver


The Decorative Arts and International Art auction concluded our fall season on a high note with a well attended preview, much excitement and a new record price for a piece of Canadian silver sold at auction. The sale brought together a superb collection of decorative art, rugs and paintings, lending the showroom an air of elegance and warmth that welcomed those who attended the preview over the weekend. The opening segment of International Art witnessed Montague Dawson's spectacular painting, Dawn and a West Wind, bring its high estimate at $48,000. Decorative Arts began with a collection of chess sets, ranging in age from the ninth to the twentieth century, including two elaborately carved sets in ivory, which brought $25,200 each. The collection, shown together, represented various aesthetic traditions from around the world, with examples of nonrepresentational Islamic pieces, a set of Netsuke and some charming carvings of sea creatures.

Some unusual snuff boxes, Georgian silver and eighteenth-century examples of French silver followed an impressive assemblage of bronze sculptures, but the absolute highlight of the evening was undoubtedly Laurent Amiot's covered soup tureen bearing the arms of the Hertel de Rouville family. The tureen, which was estimated at $25,000 - $35,000, brought more than double its estimate after intense bidding on the phone, online and in the room, finally selling for a record $83,000. We were delighted to see the object purchased by The National Gallery of Canada, and we look forward to seeing this important piece of Canadian cultural heritage on public display in their upcoming exhibition of Amiot's work in 2017.

Other highlights included some excellent Russian silver: a finely engraved silver parcel-gilt beaker which brought well over its estimate of $1000 - $1,500 selling for $7,200 and a Fabergé silver mounted glass claret jug which sold for $6,600. The sale demonstrates once again that the decorative arts, with its diversity of objects and styles, continues to appeal to a broad audience. Waddington's is pleased to conclude yet another successful season.

View the Auction Results

Posted: 12/10/2015 9:00:00 AM
By: Bill Kime


Decorative Arts and International Art Auction


On December 7 2015 Waddington’s International and Decorative Arts Departments auction will be led by a fine selection of artworks from across the globe. Once again, we have selected the finest paintings, drawings and sculptures from numerous estates and private collections. The framework of this auction resists chronological or country order and instead, we present this offering to highlight the respective dynamism of these works by emphasizing their sameness or exalting their variations.

John Callcott Horsley’s At the Window (lot 25) is featured on the front cover of our catalogue. With the terrier looking eagerly into the distance, this work invites you to view the wonderful works of art contained in its pages following.
An impressive large canvas by an artist from the circle of Sir Anthony Van Dyke (lot 14), removed from the Collection of the Warwick House (London, UK) in 1906, will charm with its tender depiction of the three eldest children of King Charles I and their faithful King Charles spaniels poised at their feet.

We are pleased to continue to offer works consigned to us by the Art Gallery of Ontario (AGO) as part of their strategy to refine and improve its collection. This auction includes a number of Old Master and 19th Century drawings (lot 6 – lot 10 inclusive; lot 23).
The sale is complimented by technically superb portraits of Catholic cardinals, including the oversized work by Giuseppe Signorini (lot 45). A Toronto collector while in Rome, Italy commissioned this work directly from the artist in October 1929.

Likewise, we are privileged to present the historic canvas, Clipper Ship “Thermoplyae” by Montague Dawson (lot 34) in its original untouched condition. “Thermoplyae” features a single clipper ship as its protagonist. Here, Dawson has the composite vessel appearing to pitch and heel amidst a swelling sea under ominous storm clouds. This work retains the original gallery label from the Watson Art Galleries (Montreal, CA), a prominent Canadian purveyor of the most important European pictures sold in Canada. The work is accompanied by a photo-certificate from the Canadian photographic firm William Notman & Son Limited (Montreal, CA).

This Dawson oil on canvas is joined by a superb watercolour by the celebrated British artist. The beautiful coloration of Montague Dawson’s Close hauled (lot 35) additionally compliments the grandness of Charles Edward Dixon’s impressive, detailed historic watercolour scene The First Canadian Contingent Escorted by Princess Royal (lot 19).

A rare canvas by Denis Louis Bihan Niagara Falls, City of Buffalo in the Distance (lot 18) offers viewers a spectacular view of the falls from a lofty vantage point.

A heroic battle scene by Francesco Coleman offers a cavalry charge with richly costumed Bedouins (lot 42) bathed in brilliant daylight. Coleman’s clear command of pictorial spatial recession and atmospheric and tonal affects creates an exciting view for its spectator.
Assembling an auction of this scope imposes an enormous amount of commitment and energy.  These biannual events are accomplished with thorough consideration and a rigorous review of scholarship but can only be executed with great cooperation. I am fortunate and indebted to my colleagues for all their assistance.   
 
My final and most significant thank-you is to you, the collector, and your remarkable vision and enthusiasm in your acquisitions.
 
I look forward to greeting you at our previews dates.

View the Auction Gallery


Posted: 12/3/2015 12:00:00 AM
By: Susan Robertson


A Canadian Treasure: Laurent Amiot's Soup Tureen with the Arms of the Hertel de Rouville Family, c.1790


Laurent Amiot (1764-1839) was a prominent figure in Canadian silversmithing in the late 1700s, a period that witnessed the convergence of diverse aesthetic programs. As a young and talented silversmith, he was awarded the opportunity to apprentice in Paris by the Roman Catholic Church. During the five years that Amiot spent in France, he was strongly influenced by the Louis XVI style, a branch of French Neoclassicism that was popular in Paris at that time. In 1787, Amiot returned to Quebec with exceptional technical skills and a high degree of respect for silversmithing, considering himself foremost an artist. Silversmiths were traditionally classed as craftsman, and among Amiot's contributions to Canadian decorative art was his progressive view of silversmithing as a serious artistic practice.

Throughout his career, he insisted on being referred to as Maître ès Art Orfèvre (master of the silversmithing art), and set himself apart from other Canadian silversmiths by drafting preliminary sketches. These preparatory drawings supported the idea that Amiot's work was intellectual and should be appreciated as fine art. Moreover, the sketches now provide a unique perspective on both Amiot as a creative individual and his silver in a historical context. Amiot led the industry in both quality and quantity, and was undoubtedly the most influential silversmith working in Quebec between 1790 and 1840.

Although Amiot's impact is most visible in the stylistic and decorative developments that he initiated in church silver, he also responded to the emerging market for domestic silver that was fuelled by the rising middle class and their desire for household objects. His domestic silver, including the present tureen, often borrowed motifs from English Neoclassicism or skillfully incorporated elements of both a Louis XVI style and designs derived from British imports. These stylistic choices reflected the broader cultural atmosphere of Quebec in the last decades of the eighteenth century. The Roman Catholic Church preferred traditional, French designs while the political and social spheres were predominately English and yielded English tastes for table silver. Amiot is most celebrated for his ability to incorporate and harmonize these different European styles in his original work.

Soup tureens are the largest and in many ways the most impressive of Amiot's domestic silverware. The Soup Tureen with the Arms of the Hertel de Rouville Family is one of only two that Amiot is known to have made during his career. It is significant both as an eighteenth-century example of Canadian colonial silver and for its importance in the context of Amiot's oeuvre. Both of Amiot's tureens incorporate a convex and elongated body supported on spherical clawed feet, a reference to the English Rococo movement, while the covers and ornamentation, specifically the chased laurel garlands on the girth and acanthus motifs on the covers draw inspiration from Neoclassicism. The Hertel de Rouville tureen, with its reeded serpentine silver handles, appears more complete and arguably more sophisticated than the example with wooden handles found in the Royal Ontario Museum's permanent collection.

Amiot encouraged the public to appreciate his fine work in silver for its artistic merits, and in elevating decorative silver above craft, he advanced the art of silversmithing in Canada. His innovative use of hybrid styles rippled in the waters of the silver industry throughout his career, and his artistic legacy now forms an integral part of our cultural heritage. The present soup tureen, a Canadian treasure, tells its part of the story of life in Lower Canada, reflecting the broad range of styles and high level of sophistication that characterized silversmithing in Canada at the end of the eighteenth century. Likewise, with its strong ties to both English and French stylistic traditions, it occupies a significant place in early Canadian history.

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Posted: 12/1/2015 12:00:00 AM
By: Bill Kime


Waddington’s Achieves Highest Price for Inuit Art at Auction in 2015.


A diminutive sculpture by legendary Inuit artist Joe Talirunili titled Joe’s Escape, sold for $163,500 at Waddington’s in Toronto on November 16. The highest price for Inuit Art achieved at auction in 2015, Joe’s Escape joins the ranks of numerous record-setting prices for Inuit Art set by Waddington’s over its 35 years in the Inuit Art market.

Christa Ouimet, Head of Inuit Art at Waddington’s, notes that "Works by Joe Talirunilli, specifically Joe’s boats, which are his most collectable subject matter, routinely sell for over $100,000, and have sold as high as our record price of $290,000 set in 2012.” Ouimet adds that, “Not only is Talirunili the ‘top seller’ of all Inuit artists, the prices his works achieve are at the same level of other well-known Canadian artists.” In the market Talirunili ranks second to Bill Reid, and outperforms most Canadian sculptors. Unlike most Canadian artists, Joe also enjoys a great deal of international interest.

Other highlights of the November auction include a major work in bone by Karoo Ashevak. The almost 20” drum dancer sold for $50,400, the second highest price for a work by the artist; the record price of $78,200 for a work by Karoo was also achieved by Waddington’s in 2004.

Waddington’s also set a record for Osuitok Ipeelee’s important 1959 stencil print, Eskimo Legend: Owl, Fox and Hare. The print was enthusiastically welcomed back to the market setting a record price of $28,800; it had been over a decade since last available to collectors. Recognized as one of Canada’s most important sculptors, Osuitok contributed only two prints to the annual Cape Dorset print collection and only in its inaugural year of 1959, making the print a rare and highly sought-after piece.

Waddington’s Fall 2015 auction of Important Inuit and First Nations Art included almost 300 works of sculpture, prints, textiles and paintings by the leading artists in the field.

Waddington’s holds biannual live auctions and monthly online auctions of Inuit Art and First Nations Art. The next opportunity to acquire a work of Inuit Art will be from Waddington’s online auction January 25 – 28, 2016.


Always a show stopper, Karoo Ashevak does it again with this superb Inuit drum dancer in whalebone. It fetched $50,400 at Monday evening’s auction.


One of Canada’s most talented sculptors, Osuitok Ipeelee, contributed two images to the 1959 Cape Dorset Collection. This stunning stencil of Osuitok's did not appear on the open market for more than a decade. It fetched $28,800 during Waddington’s live Inuit art auction on Monday.


This Robert Davidson bronze sculpture mounted on a stone base is said to be a portrait of the artist’s brother, Reg Davidson. Highlighting our selection of Northwest Coast art, it was met with much interest during the preview and was auctioned off at $11,400.


View from the front of the auction room, some of the artwork that was sold on November 16th, 2015.
Posted: 11/20/2015 12:00:00 AM
By: Christa Ouimet


WADDINGTON’S FINE WINE UPDATE NOVEMBER 2015


Dear Wine Lovers,

Our online wine auction is underway! The auction features over 300 lots of superb Bordeaux, Grand and Premier Cru Burgundy, great cult California, Super Tuscan rarities, vintage Port and a host of other wonderful wines from around the world. The auction also features a stunning collection of wines by the famed producer Louis Jadot, all in magnum format!

The online auction site is live from November 23 at 9 am to 2 pm on November 26. If you haven’t bid online with us before, be sure to register at onlineauctions.waddingtons.ca.

As much as we have been busy with the online sale, we’ve also been working furiously at preparing the December 12th live Fine Wine Auction. This live sale will feature more than 300 lots of superb wines from the greatest wine producing regions of the world. We look forward to welcoming you to our King Street, Toronto gallery for this gathering of the fine wine community.

Our 2016 auction schedule will include four online auctions and a live auction as well as special events and tastings throughout the year. If you are interested in consigning to any of our upcoming auctions, please contact my colleague, Ryan Corrigan at rtc@waddingtons.ca.

Our auctions are conducted under the authority of the LCBO, but are fully managed by Waddington’s. Please feel free to contact me directly if I can be of assistance with any wine related enquiry. My direct line is 416-847-6194 or email skr@waddingtons.ca.

We look forward to bringing the Fine Wine auction market back to Ontario.

Posted: 11/12/2015 9:00:00 AM
By: Stephen Ranger


Asian Art Fall Auction


We are delighted to present our Fall 2015 Asian Art Auction.

Bringing our auctions together is always a pleasure. We work carefully and thoughtfully to find the right balance of materials, always following our rigorous guidelines of quality and rarity. My trips to Taipei, New York, and across Canada from August to October resulted in an exciting variety of exceptional consignments. This fall we are pleased to offer over 330 lots from Vancouver, Montreal, Quebec City, New York, Taipei, and here at home in Toronto, covering Japanese, Korean, Himalayan, Southeast Asian, and of course, Chinese works of art.

On Vancouver Island, I was privileged to accept for consignment a collection of fine porcelain. It was mainly acquired in Hong Kong and Beijing prior to 1940, and some is from respected Asian art dealers, including Orientique Hong Kong.

This fall we are also delighted to introduce Waddington's first Asian Art Reference Books section, which includes selected lots from the estate of Yukman Lai (1949-2013), a Chinese-Canadian artist, calligrapher and seal engraver. He was born in China and raised in Hong Kong, eventually immigrating to Vancouver in 1991 where he became a prominent educator and artist of ink paintings and calligraphy. He was passionate about fostering an integration of eastern and western cultures. His works have been collected by art galleries and museums in Canada, Hong Kong and mainland China, and his paintings and calligraphy were selected by Canada Post to be issued as stamps in 1999 and 2001. A small sampling of his comprehensive library is included in this sale, and more will be offered in the future.

We are also thrilled to include another piece from the estate of Chen Zhaogong (1903-1996). You may recall the Qianlong blue and white Ming-style hu vase that we featured as our June 2014 catalogue cover, which realized an astounding 186,500 CAD. For this sale, we successfully secured another important porcelain piece from the Chen family: a blue and white bottle vase from the Guangxu period (lot 208). And in an astonishing and auspicious coincidence, our aforementioned clients from Vancouver Island consigned a matched mate! We are thrilled to offer these rare and exceptional pieces; and their cobalt blue certainly illuminates our porcelain section.

The Japanese works section features a massive and fine painting painting of Mori Tetsuzan (1775-1841), which depicts the rare tiger theme of this 18th Century master. It was consigned to us by an important Dutch-Canadian family, with provenance from Christie's Amsterdam, 1981.

With such a variety of extraordinary works, the cover lot must stand out as an exceptional item to represent the entire auction. This fall we are proud to present a turquoise-ground shaped box with a Qianlong mark and of the period (Lot 157) as our catalogue cover. It is from a renowned French diplomatic family in Montreal, with distinguished provenance including C. T Loo and Maison des Bambous, Paris. The only comparable piece, which was possibly the other half of a pair, is now in the GuanFu Museum Beijing.

It has been a privilege assembling this auction, and a true pleasure to work with numerous fine examples of Asian culture from our valued clients. Our heartfelt thanks to all our consignors, buyers and consultants for your continued support.

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Posted: 11/9/2015 12:00:00 AM
By: Chih En Chen


Major Fall Auction of Canadian Art


Our 2015 major fall auction of Canadian Art will be the fifth sale I have directed since returning to Waddington's. There have been myriad changes and improvements to the Canadian Art department since the summer of 2013. A new catalogue design, changes to the exhibition space, the introduction of didactic panels, augmented ancillary material both in the print and online versions of the catalogue and increased learning sessions hosted by Waddington's, specifically our WoW (Women of Waddington's) events. And I am happy to say we have done all of this without an increase in costs to either our buyers or sellers.

We continue to seek out the most interesting works we can find to include in our sales, and are not driven by dollar value alone. Rather, we have always aimed to find quality at all price levels and have been fortunate this season to discover, for your bidding competition, important watercolours by Fortin from the mid-1920s, one of the earliest Verner Indian encampments (based on a sketch in the collection of the National Gallery of Canada), a very large mid-1950s Riopelle watercolour and ink, sumptuous and insightful portraits by Florence Carlyle, Randolph Hewton and Paul Peel, and superb still lifes by Dallaire, FitzGerald and Goodridge Roberts. There are also wonderful works on paper by William Armstong and Washington Friend, by E.J. Hughes and Lawren Harris. From Krieghoff to Kim Dorland, the sale is replete with examples of Canadian Art at its best.

Finding, valuing, researching, cataloguing and, ultimately, selling works of art at our twice yearly catalogue sales and seasonal Select Online Sales is a team effort. In addition to our regular and part-time staff, we have been fortunate to avail ourselves of the writing expertise of Christine Boyanoski, PhD., Amy Korczynski, PhD., Melissa Alexander, M.A., and Elizabeth Johnston, M.A.

The catalogue and the sale are born out of the fortitude, creativity and expertise of the core staff of the Canadian Art Department. I extend my gratitude to Anna Holmes, M.Litt., and Marina Dumont Gauthier, M.A. for their unfailing ability and willingness to do what it takes to get the job done. In particular, I would like to single out Erin Rutherford, M.A, and Mover of Mountains.

Thank you to all who take an interest in the work we do here at Waddington's. It continues to be our great pleasure to serve you.

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Posted: 11/5/2015 9:00:00 AM
By: Linda Rodeck


James and Jonny’s Great Adventure


“Where Antique and Unique Meet” is the motto of the village of Shakespeare. It could also be the motto for Jonny Kalisch and James Bisback, owners of Jonnys Antiques.

The partnership of Jonny Kalisch and James Bisback, and their eponymously named antiques store in the storybook town of Shakespeare Ontario, were legendary. Loyal attendees of our auction previews for decades, it was always a pleasure to see them at Waddington’s. Jonny – flamboyant and colourful, often bedecked in Navajo turquoise jewellery, or dressed in lederhosen, and the slightly reserved, more refined James – both immensely liked by all.

The partners came from distinctly different backgrounds: Bisback was from the small, quintessentially Ontario town of Seaforth, and Kalisch immigrated to Canada from Poland, via Germany, Switzerland and England. Their passion for antiques bringing them together in Toronto in 1964. Jonny opened his first shop on Wellesley Street in downtown Toronto; “actually, a bit of junk shop” one former client recalled. But even in the early days Jonny understood how to attract attention, and business. A signature sleigh that would later grace the Shakespeare shop was first placed on the roof of the bay window of his shop on Wellesley. Spotted from a distance, shoppers knew “they had to come in to investigate,” Jonny said. Perhaps that sleigh is what drew James in that day he first walked into Jonny’s shop. The rest, of course, is antiques history.

In 1969 Jonny and James moved to Shakespeare, Ontario, where they would create Canada’s most popular and well-regarded antiques business. In fact Jonny and James would transform Shakespeare itself into the “antiques mecca” of Ontario, drawing customers from across North America and Europe. At one point, Jonny and James owned shops in Shakespeare, Bayfield and Toronto. But it would be Jonnys in the village of Shakespeare, with a population of less than 1,000 people, that would become known as Canada’s great antiques destination.

Described as “a bit like salt and pepper”, Jonny was the entertainer and James was the quiet one who handled the business of buying and researching. Recognized as a connoisseur of 18th and 19th century ceramics, James possessed an astonishing range of interests, and his breadth of knowledge was extraordinary. An inquisitive, passionate and scholarly dealer, he was always generous with his knowledge, as noted by Rosalie Sharp in her 2007 autobiography: “We started collecting (ceramics) in earnest about 1986. It was then I met china maven James Bisback. We share affection for ceramics and for each other. He’s a sweetheart. In February of 1987, Issy and I went out to James’ antique shop in Shakespeare – Jonnys Antiques, named for his partner, Jonny Kalisch. We bought a pile of Spode tulips and James suggested that we might enjoy the Ceramics Fair and Seminar held in England every June. Since then, except for one year, the three of us have attended that fair… James and I prompt each other to buy selected items either for his shop or my collection.”

Avid collector and a Jonnys client since 1970, Clayton Shields recalls that Jonnys was not just a store, but also a place to hang out, perhaps even be treated to some of Jonny’s homemade tomato soup. Friends and collectors gathered when James would come back from a buying trip, everyone eager to see the new acquisitions, knowing there would be something for everyone, and always of the best of quality. (Clayton noted that items he purchased from Jonnys over the years have since been donated to the Winnipeg Art Gallery.) James’ keen eye later extended beyond antiques to discover Inuit art, honing in on the exquisite lines of Kavik, TikTak and others. Soon, Jonnys was also selling Inuit art; stone sculpture displayed in beautiful juxtaposition with the antiques.

A great example of James exacting nature was his quest and acquisition of pieces from two porcelain dessert services bearing views of the journey of Viscount Milton and Dr. Walter Cheadle across British territory in Canada in 1862-1863. Commemorated by the Minton china factory of England, the plates were based on drawings made and photographs taken en route, capturing their adventures of buffalo hunting and crossing the Rockies, the gold rush and Indian guides. It was the historical importance that fuelled James’ search for the plates, “It’s so important to Canada,” James said. “A private commission of the highest quality, this porcelain is probably the most significant ‘Canadian historical china’ in existence.” Following years of research, in 2004 Jonnys cordially invited collectors to an exhibition and sale of “Milton and Cheadle’s Great Adventure”. We have the privilege of offering five plates from the service in this auction.

We are honoured to say a public and very fond farewell to Jonny and James as we present an auction of some of their extraordinary collections.

Jonny Kalisch passed away in April of 2015, just over a year after James Bisback’s passing in 2014, leaving behind legions of fans, friends and clients, and many fond memories of a great Canadian adventure.

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Posted: 11/4/2015 12:00:00 AM
By: Tess McLean


Inuit Art Auction including First Nations Art - Catalogue Available


Waddington’s is pleased to present this extraordinary selection of Inuit art for our fall season.

We are fortunate to be handling the Jonny Kalisch and James Bisback Collection of Inuit art which comprises a large portion of the wonderful carvings from the Kivalliq region in this sale. It also includes exceptional works by major artists Andy Miki, John Pangnark and Lucy Tasseor Tutsweetok.

Another special collection that came to us from the United States includes the phenomenal Osuitok Ipeelee Owl whose feathers are incised to perfection and beak hollowed out and darkened to create a life-like effect. In this very same collection, we are privileged to have received the Joe Talirunili Boat that depicts another real-life aquatic escape for Joe and his son. We are equally excited to present it along with Joe's own handwritten and illustrated recollection of the event.

Also worthy of your attention is our outstanding collection of Pangnirtung weavings. Sometimes over-looked when offered through auction, these are true artistic achievements, with striking and complicated images that testify to the amount of effort and creativity involved in making them.

A collector that fascinated us once before is with us again. Arden Barnes, whose stories of her summers spent living in Joe Talirunili’s shed, sadly passed away last year. We are offering a number of carvings by Joe that Arden acquired from him directly, as well as a special work by Davidialuk Alasua Amittu.

Once again, we have a strong group of Small Wonders. It is a portion of our auction close to our hearts and has been since we began promoting small-scale carvings over a decade ago. The pieces that call out for recognition in this section include: the bust of a woman with perfectly plaited hair playing the accordion (lot 53); the tiny version of Kananginak's musk ox (lot 44); and a five inch Pauta Saila bear acquired by the consignor in 1979 from Pauta himself (lot 42).

I cannot conclude this introduction without mentioning the superb collection of graphics, thanks in part to a prominent Toronto collector with an impeccable eye for quality. Each print and drawing excites me more than the next, which makes it difficult to single out only a handful. From important drawings to early prints and images that don’t often become available, peruse the pages of our catalogue to enjoy them as much as we have.

As always, we look forward to having you at our preview and auction this November.

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View the Catalogue PDF



Posted: 10/22/2015 9:00:00 AM
By: Christa Ouimet


Fine Prints and Photography Auction


Waddington’s is pleased to present our Fall 2015 Fine Prints and Photography Auction. This sale offers an exceptional group of works from celebrated Canadian and international artists that spans from the 15th to the 21st centuries.
 
We are also privileged to announce Waddington’s continued involvement in the sale of works deaccessioned from the Art Gallery of Ontario. This auction includes a number of fine prints that have been deaccessioned in anticipation of future acquisitions that will complement the existing collection of the Art Gallery.
 
We are honoured to present graphics gleaned from private collections, including those from the extraordinary collecting eye of Erica Rutherford (1923-2008).  A celebrated Canadian artist and undoubtedly astute collector, her extraordinary life adventures took her across the globe.  Proceeds from the sale of this collection will benefit The Erica Rutherford Memorial Scholarship.
 
Collectors will find masterworks by Zao Wou-ki, Jasper Johns, Helmut Newton, Jean-Paul Riopelle and full portfolios by Marino Marini, Foujita, and Paul Wunderlich.  Highlights include old master etchings by Rembrandt, Durer and their contemporaries; an impressive Canadian album circa 1866-1867 by William Notman; and M.C. Escher’s Platwormen (Flatworms), acquired directly from the artist.
 
This auction presents an opportunity to appreciate an array of works that showcases the extraordinary breadth and scope of the full histories of photography, fine prints, and multiples. Likewise, it offers collectors an appealing range of estimates and artworks.

More information concerning eligibility and selection regarding The Erica Rutherford Memorial Scholarship can be found by contacting:
The Erica Rutherford Memorial Scholarship
C/O The Prince Edward Island Council of the Arts 
115 Richmond Street Charlottetown, PEI
C1A 1H7
Tel: 902-368-4410
Email: info@peica.ca


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Posted: 10/22/2015 12:00:00 AM
By: Susan Robertson


Asian Art Fall Auction preview now available to view


It has been a wonderful fall in the Asian art department. We're thrilled with the development of our November catalogue sale, with consignors contributing from near and far, all with stunning examples of Asian art. Our offering is diverse and of good provenance, featuring some rare pieces we are excited to share. This gallery features magnificent porcelain from a distinguished Toronto collector, as well as a piece from the Estates of James Bisback and Jonny Kalisch.

Also included is a rare and exceptional engraving entitled “La Victoire de Khorgos”, engraved by Le Bas in 1774. We hope this preview piques your interest. Our sincere thanks to our consignors and clients for your ongoing support.

View Lots from Our Upcoming Auction

Asian Art Specialist:
Chih-En Chen 陳之恩
416.847.6185
cc@waddingtons.ca
Posted: 10/7/2015 12:00:00 AM
By: Chih En Chen


Fall Asian Art Auction


Another Waddington's auction season is underway, and we are delighted with the continued growth of the Asian art market. As it evolves and thrives, we are pleased to offer you the very best Asian collections that Canada presents.

We began the fall season with a successful online auction that concluded on September 17. The cover lot, a Celadon-Glazed Crackleware Vase, realized $6,240 CAD – significantly higher than its original estimate. This is a clear indication that the Asian market has exciting momentum.

Our June 2015 catalogue sale also yielded excellent results. An 18th Century Rare and Large Bronze Hexagonal Vase, Xuande Mark from the Estate of Elizabeth Helen Livingston realized $62,300 CAD, ten times over its estimate. The paintings of Zhao Shao’Ang (1905-1998) from the Estate of Darius Alain (1926-2013) were another highlight, and together realized $64,800 CAD. Strong results were also achieved by Chinese porcelain, jades, modern scroll paintings and Himalayan bronzes.

Preparations for our Fall 2015 auction are well underway, and we are pleased to accept consignments until Friday, October 2. I will be in Vancouver from September 29 to October 2, and am available for private appointments. If you are interested in arranging a meeting, or would like more information about consigning or our auctions in general, please contact Simone Ludlow at scl@waddingtons.ca or 416 847 6195.

Please note that our fall auction catalogue will be bilingual, in English and Chinese, so that the originality of each valued lot can be fully expressed. Moreover, Waddington’s now has a Chinese name. Feel free to address us as 華汀頓

Chih-En Chen | Asian Art Specialist


Posted: 9/28/2015 12:00:00 AM
By: Chih En Chen


Concrete Contemporary Art Online Auction October 17 - 22